A Quote by Steven Pressfield

I wrote in the War of Art that I could divide my life neatly into two parts: before turning pro and after. After is better. — © Steven Pressfield
I wrote in the War of Art that I could divide my life neatly into two parts: before turning pro and after. After is better.
I wrote in the 'War of Art' that I could divide my life neatly into two parts: before turning pro and after. After is better.
I met a girl, and two months after we met I wrote 'Nevermind.' And 'Never Go Back' is actually a song I wrote two or three days after the breakup, after a year and a half. Straight continuation of the story.
CNN said that after the war, there is a plan to divide Iraq into three parts: regular, premium and unleaded.
Whoever prays twelve rakats during the night and day, a house will be built for him in paradise. Four before dhuhr, and two after, two rakats after maghrib, two rakats after ishaa, and two rakats before fajr prayer.
At the end of the tour last year, I was completely fried. I felt my soul was begging me to give it a release. Two long trips to Costa Rica and to Iceland I've made were the best things I could have ever done for myself and you see it with the songs I wrote before I left and the songs I wrote after - there are two different Kips in there.
Only in America can you be Pro-Death Penalty, Pro-War, Pro-Unmanned Drone Bombs, Pro-Nuclear Weapons, Pro-Guns, Pro-Torture, Pro-Land Mines, AND still call yourself 'Pro-Life.'
After was better. Before was only there so After could happen.
Sleep after toil, port after stormy seas, Ease after war, death after life does greatly please.
I think about my education sometimes. I went to the University of Chicago for awhile after the Second World War. I was a student in the Department of Anthropology. At that time they were teaching that there was absolutely no difference between anybody. They may be teaching that still. Another thing they taught was that no one was ridiculous or bad or disgusting. Shortly before my father died, he said to me, ‘You know – you never wrote a story with a villain in it.’ I told him that was one of the things I learned in college after the war.
If you're anti-war it doesn't mean you are 'Pro' one side or the other in a conflict. However, it does make you 'Pro' many thingsPro-Peace, Pro-Human, Pro-Evolution, it makes you Pro-Communication, Pro-Diplomacy, Pro-Love, Pro-Understanding, Pro-Forgiveness.
Before I had my son, I became obsessed by this painting I'd seen in an art gallery. It was a lot of money, but I felt such a rush of adrenaline when I wrote the cheque to buy it. I thought I was going to gaze lovingly at it forever, but after just two weeks, I realised I didn't really like it any more.
After turning pro, I was feeling a lot of respect to everybody actually, especially top players.
WE MADE A MONSTER OF HITLER, A DEVIL. THAT IS WHY (THEREFORE) WE COULD NOT AFTER THE WAR SAY OTHERWISE. WE HAD PERSONALLY MOBILISED THE MASSES NEVERTHELESS AGAINST THE DEVIL. THUS WE WERE FORCED AFTER THE WAR, TO PLAY ALONG WITH THIS DEVILS' SCENARIO. WE COULD NOT POSSIBLY HAVE MADE OUR PEOPLE CLEAR (TO THEM) THAT THE WAR WAS ONLY AN ECONOMIC PREVENTATIVE MEASURE!
I remembered my New Orleans days, living on two five-cent candy bars a day for weeks at a time in order to have leisure to write. But starvation, unfortunately, didn't improve art. It only hindered it. A man's soul was rooted in his stomach. A man could write much better after eating a porterhouse steak and drinking a pint of whiskey than he could ever write after eating a nickel candy bar. The myth of the starving artist was a hoax.
Before the war it had seemed incredible that such terrors and slaughters, even if they began, could last more than a few months. After the first two years it was difficult to believe that they would ever end.
The first time I went to Iraq was October 2002, when Saddam was still in power, and then, subsequently, in January of 2003, about three-and-a-half months before the U.S. invasion. So, I got to see the before and after of Iraq, basically, before and after the war.
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