A Quote by Steven Pressfield

Every artist has to face his own demons and evolve his own method of working. — © Steven Pressfield
Every artist has to face his own demons and evolve his own method of working.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
It is remarkable how very individual technique becomes in watercolour. Every man of personality finally arrives at a method peculiarly his own, as unique as his own fingerprint.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Every man is his own ancestor, and every man his own heir. He devises his own fortune, and he inherits his own past.
Every man is his own ancestor, and every man is his own heir. He devises his own future, and he inherits his own past.
Every artist of importance creates his own world, with its own laws - creates and shapes it in his own shape and image, and no one else's. This is why it is difficult to fit the artist into a world that has already been created, a seven-day, fixed and solidified world: he will inevitably slip out of the set of laws and paragraphs, he will be a heretic.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
In every artist we can perceive a man with both a message and a method. His message may be innate in him, but his method he has to acquire from others.
It's not enough merely to exist. Every man has to seek in his own way to make his own self more noble and to relize his own true worth.
Every man needs to find a peak, a mountain top or a remote island of his own choosing that he reaches under his own power alone in his own good time.
Where no man thinks himself under any obligation to submit to another, and, instead of co-operating in one great scheme, every one hastens through by-paths to private profit, no great change can suddenly be made; nor is superior knowledge of much effect, where every man resolves to use his own eyes and his own judgment, and every one applauds his own dexterity and diligence, in proportion as he becomes rich sooner than his neighbour.
The artist should preach nothing-not even his own autonomy. His art should speak its own truth, and in so doing it will be in harmony with every other kind of truth- moral, metaphysical, mystical.
Every artist is in everything he creates, and indeed if the truth is told, every person is in his life, in his work, whatever his work may be, and this is visible in his face, figure, stance, movement, and totality.
There is no single face in nature, because every eye that looks upon it, sees it from its own angle. So every man's spice-box seasons his own food.
In his garden, every man may be his own artist without apology or explanation.
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