A Quote by Steven Pressfield

Right now with blogs and the flood of internet access, a multitude of aspiring writers think they're ready for prime time. They're not. Be great. Read. Write. Bust your ass. Learn and find your voice. As hard as you think it is, it's a hundred times harder.
For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.
You go out into the world, you read everything you can read, you imitate the things you love, and you learn how hard it is to do. Eventually, you learn your own vision of the world, you learn your own voice and how to hear it, and you learn to write your own work. Writers today have as many opportunities as my generation did, but they don't see the examples as clearly as we did.
My advice for aspiring writers is threefold.First, read as much as possible, both within and outside the genre you arem working in. By reading you hone your internal ear for style. Second, write. Everything comes down to it; unless you write, you are not a writer. Third, submit your work. But - stop chasing every seductive new market out there, and stop trying to write for the tastes of specific established professional markets and editors. That way lies mediocrity and eventual dissolution of your true voice, no matter how embryonic or pronounced it may be now.
Don't write what you think people want to read. Find your voice and write about what's in your heart.
If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers ... becomes a source of unbelievable joy. It’s like eating candy for the soul. And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.
The internet makes information easier to come by, but harder to control - think of the success of blogs like ConservativeHome and Guido Fawkes. I definitely think Parliament's website can be improved - perhaps it could have better access to video feed, include interactive features or have discussion forums.
I tell aspiring writers that you have to find what you must write. When you find it, you will know, because the subject matter won’t let you go. It’s not enough to write simply because you think it would be neat to be published. You have to be compelled to write. If you’re not, nothing else that you do matters.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
I find now I'm reading a lot more nonfiction, simply because every time I read fiction, I think I can write it better. But every time I read nonfiction, I learn things.
You don't owe the internet your time. Your time is yours, whatever time you give the internet is a gift. The internet does not know this, and it will never learn. Time is the most precious thing you have. More than money, or land, or prestige, or any valuable thing you can think of, a life is measured in time. The sooner you walk away from a useless fight, the more of it you get to have.
These days with our economy changing so much, there's not as much TV being made and there's a lot more reality these days, and not as many films being made. I find a lot of my friends who have been acting their whole lives having a hard time finding jobs these days. It's a tough time right now for everybody, which is why I feel very fortunate to have a great job right now. But if acting is something that you're extremely passionate about, I think you should always follow your heart and always follow your dreams. My parents taught me that at a young age and I think it's so true.
I love the resource of the Internet. I use it all the time. Anything I'm writing - for example, if I'm writing a scene about Washington D.C. and I want to know where this monument is, I can find it right away, I can get a picture of the monument, it just makes your life so much easier, especially if you're writing fiction. You can check stuff so much quicker, and I think that's all great for writers.
This country you're sitting in right now was not built on love, hugs, time-outs and trophies you didn't earn. This country was built on shame, humiliation and striving to be better. By the way, if you're in this room right now and you're successful... you didn't get there because someone loved you too much or gave you too many hugs or you got a trophy when you lost. You did it because at one point in your life, somebody turned to you and said you're a loser, and in that second, you decided to bust your ass to make them choke on that sentence... Or, your parents gave you the money.
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