A Quote by Steven Pressfield

When you're a working writer, sooner or later friends and acquaintances will get you alone and confide that they, too, have a book in them. — © Steven Pressfield
When you're a working writer, sooner or later friends and acquaintances will get you alone and confide that they, too, have a book in them.
You do get to a certain point in life where you have to realistically, I think, understand that the days are getting shorter, and you can't put things off thinking you'll get to them someday. If you really want to do them, you better do them. There are simply too many people getting sick, and sooner or later you will.
You do get to a certain point in life where you have to realistically, I think, understand that the days are getting shorter, and you can't put things off thinking you'll get to them someday. If you really want to do them, you better do them. There are simply too many people getting sick, and sooner or later you will. So I'm very much a believer in knowing what it is that you love doing so you can do a great deal of it.
When people say "How do you write a book, how does it all happen?" I say, you line things up, and you line them up as actually as you possibly can, but sooner or later the book has got momentum and it's moving along under that momentum. It's like a sculpture, if you're working with the grain of the wood, the wood will start defining what shape it's going to become.
Sooner or later, the ones who told you that this isn't the way it's done, the ones who found time to sneer, they will find someone else to hassle. Sooner or later, they stop pointing out how much hubris you've got, how you're not entitled to make a new thing, how you will certainly come to regret your choices. Sooner or later, your work speaks for itself. Outlasting the critics feels like it will take a very long time, but you're more patient than they are.
The dividing line [between friends and acquaintances] is communication, I think. A friend is someone to whom you can say any jackass thing that enters your mind. With acquaintances, you are forever aware of their slightly unreal image of you, and to keep them content, you edit yourself to fit. Many marriages are between acquaintances. You can be with a person for three hours of your life and have a friend. Another will remain an acquaintance for thirty years.
I will destroy you. No matter how long it takes, no matter what it costs me. I won’t sleep, I won’t eat. I won’t do anything but plot your downfall. I will mow down your men like they’re weeds. I’ll kill so many of them so viciously, so brutally, so horribly that no one will dare to work for you. And sooner or later, I’ll get you too.
I always give my students exercises where they really have to open a vein and bleed all over the paper and that's the way you get the important characters. Sooner or later every writer worth reading writes a story his mother wouldn't read and having to get that stuff out is part of one's growth as a writer.
I think writer's block is simply the dread that you are going to write something horrible. But as a writer, I believe that if you sit down at the keys long enough, sooner or later something will come out.
If you meditate, sooner or later you will come upon love. If you meditate deeply, sooner or later you will start feeling a tremendous love arising in you that you have never known before.
Go through your phone book, call people and ask them to drive you to the airport. The ones who will drive you are your true friends. The rest aren't bad people; they're just acquaintances.
Go on working, freely and furiously, you will make progress and sooner or later your worth will be recognised, if you have any.
Find happiness in tribulation, too. Find it in joy alone and you could lose it, sooner or later, and be left with nothing.
Yeah, we're working on Blade Runner 2 right now - that will happen sooner or later.
I think, as a writer, you spend most of your time working on the book alone.
Golf's not an easy game. You keep working at it and, sooner or later, something good will happen.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
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