A Quote by Steven Price
I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.
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Groups tend to believe their work is harder, more strategic, or just more valuable while underestimating those contributions from other groups.
There are all the activist groups on every imaginable topic - solidarity groups, environmental and feminist groups - sectors of these movements do very valuable work.
There are a variety of groups, Human Rights Campaign, Planned Parenthood, NARAL, Sierra Club, that are groups that do very good work, that do a lot of things that I personally believe in, that are also as a descriptive matter they`re part of what you`re going to call an establishment in Washington of the sort of center-left probably, Center for American Progress. They are part of it.
There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year.
Harry Potter has actually been a very intimate phenomenon, the story of small groups of people acting in ways they shouldn't, doing things they usually wouldn't, and making the kind of history that, without Harry, they pretty much couldn't.
I like the company of men. I've never been welcome in those groups, but then I would no more go to a consciousness-raising group and talk about my intimate life with my husband than fly to the moon. I never understood all that.
I was an athlete, so I hung out with the jocks. I was smart, so I hung out with the nerdy kids. I was also into theater, so I hung out with the misfits... So I was always in different groups, and those groups never quite overlapped. The racial part of it was just another one of those groups, in one sense.
I love Jon Hamm. I'm so lucky to get to work with him and work so closely with him. We have a lot of these scenes that are very intimate, and very tender. Those are the kind of things that an actor lives for. Real moments of connection with other actors.
We've learned a lot of dance genres that a lot of girl groups tend not to learn, and we think those things will be a point of differentiation when we perform on stage.
I was an intimate sort of child who never spoke up in groups. I preferred close friends.
I worry most about proliferation of weapons of mass destruction in such a way that they could be acquired by non-governmental organizations, like terrorist groups, especially the radical groups. When a nation state has a nuclear weapon, it's a little bit easier to control the use of it, but for non-governmental groups it's much more difficult.
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment - not just in poetry - into the personal. A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women's movement, for instance, becoming "support-groups" or therapy groups.
I suggest that those groups whose culture and values stress delayed gratification - education, hard work, success, and ambition - are those groups that succeed in America, regardless of discrimination.
We said in our 21st Century Party paper there are 61 mosaic groups, which the market research people use as different socio-economic categories and half of our members come from just five of those groups and that is very narrow - too narrow.
Poets tend to form loose groups - the "Romantics" or the "Imagists". And sometimes they write manifestoes in the name of these groups. This can be good. It forces the poet and the audience to think. But it can also be dangerous. It can turn into a branding device so that potential readers believe they know all they need to know once they know you've been associated with a certain group or position. It can freeze things in place. That's where thinking stops.
The challenge is always as a writer, is this going to work, because it's a very intimate process, and I tend to be very introverted and insular, and when I write, it's in my head.
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