A Quote by Steven R. McQueen

Michael Fassbender is a very masculine person. But he has a fragility that allows him to have a relationship with an audience that has no barrier. — © Steven R. McQueen
Michael Fassbender is a very masculine person. But he has a fragility that allows him to have a relationship with an audience that has no barrier.
You know, I've always told him (Larry Brown) I wanted the relationship that Michael Jackson... Michael Jordan, I'm sorry. ... I wanted the same relationship with him like Phil Jackson and Michael Jordan had.
I'd love to do a film with Michael Fassbender. He's one of my heroes. I think he's absolutely amazing and I would love to do a project with him.
I'm obsessed with Michael Fassbender. He's unbelievable. I think he's a modern day Brando. Every movie that he's done in the past couple years, I just died for him. He's extremely fascinating.
I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.
Everything that Michael Fassbender touches is elevated.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
Michael Fassbender is phenomenal in '12 Years a Slave.'
I'm developing a little crush on Michael Fassbender. Really unoriginal.
Im obsessed with Michael Fassbender. Hes unbelievable. I think hes a modern day Brando. Every movie that hes done in the past couple years, I just died for him. Hes extremely fascinating.
I like to try to change things up a bit in the way that actors such as Philip Seymour Hoffman or Michael Fassbender did and do.
It's important not to make Spider-Man masculine because he's a kid. As soon as you make him masculine, it's harder to relate to him if you are younger and are in high school. I definitely was not masculine in high school.
He had to think he was Michael Wayland’s son, or the Lightwoods would not have protected him as they did. It was Michael they owed a debt to, not me. It was on Michael’s account that they loved him, not mine.” “Maybe they loved him on his own account,” said Clary.
Michael Fassbender is just a creative force: he finds authenticity in singularity with what he brings, and it's always authentic. He doesn't try to be creative and different for the sake of it.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
The thing I learned from watching Iain Glen and Brendan Gleeson, and Aidan Gillen and Michael Fassbender when I worked with them, there's a huge element of leading something. It's the atmosphere and dynamic you're creating on set.
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