A Quote by Steven Saylor
There is a fine sense of freedom that comes from wandering about a familiar city with no particular destination in mind, with no one to meet, no duties, no obligations. I had nothing to do and a thousand nameless, sun-drenched streets to do it in.
Related Quotes
I have walked with people whose eyes are full of light but who see nothing in sea or sky, nothing in city streets, nothing in books. It were far better to sail forever in the night of blindness with sense, and feeling, and mind, than to be content with the mere act of seeing. The only lightless dark is the night of darkness in ignorance and insensibility.
And there it is: Even though we’re standing in the same patch of sun-drenched pavement, we might as well be a hundred thousand miles apart.
My grandfather was a man, when he talked about freedom, his attitude was really interesting. His view was that you had obligations or you had responsibilities, and when you fulfilled those obligations or responsibilities, that then gave you the liberty to do other things.
A tranquil city of good laws, fine architecture, and clean streets is like a classroom of obedient dullards, or a field of gelded bulls - whereas a city of anarchy is a city of promise.
My grandfather was a man, when he talked about freedom, his attitude was really interesting. His view was that you had obligations or you had responsibilities, and when you fulfilled those obligations or responsibilities, that then gave you the liberty to do other things. So the freedoms that we talk about today, the liberties that we talk about today were the benefits that you got from discharging your responsibilities.
The great trains howling from track to track all night. The taut and telegraphic murmur of ten thousand city wires, drawn most cruelly against a city sky. The rush of city waters, beneath the city streets. The passionate passing of the night's last El.
Avery fine city; the four principal streets are the fairest for breadth, and the finest built that I have ever seen in one city together? In a word,'tis the cleanest and beautifullest, and best built city in Britain, London excepted.
Every man has obligations which belong to his station. Duties extend beyond obligations, and direct the affections, desires, and intentions, as well as the actions.
When a person places the proper value on freedom, there is nothing under the sun that he will not do to acquire that freedom. Whenever you hear a man saying he wants freedom, but in the next breath he is going to tell you what he won't do to get it, or what he doesn't believe in doing in order to get it, he doesn't believe in freedom. A man who believes in freedom will do anything under the sun to acquire... or preserve his freedom.
Too many Broadway actors in motion pictures lost their grip on success--had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.
There is nothing in the world like going out onto an untouched, open, virgin mountain slope drenched under a thick blanket of new powder snow. It gives a supreme feeling of freedom, mobility. A great sense of flying, moving anywhere in a great white paradise.
Living and working in the centre of a city, one cannot but be affected by the sight of the homeless on the streets. They are almost an expected feature of life in a big city, and it is tempting to think there is little or nothing that can, or even should, be done about it. This is not so.
The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.
The Bhagavad Gita deals essentially with the spiritual foundation of human existence. It is a call of action to meet the obligations and duties of life; yet keeping in view the spiritual nature and grander purpose of the universe.
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
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