A Quote by Steven Saylor
Some men are one thing on the surface and another underneath. The true poet shows not just the exterior of his subject, but all the contradictions within, and lets the reader draw his own conclusions.
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Be like a solid tower whose brave height remains unmoved by all the winds that blow; the man who lets his thoughts be turned aside by one thing or another, will lose sight of his true goal, his mind sapped of its strength.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
So, then, the best of the historian is subject to the poet; for whatsoever action or faction, whatsoever counsel, policy, or war-stratagem the historian is bound to recite, that may the poet, if he list, with his imitation make his own, beautifying it both for further teaching and more delighting, as it pleaseth him; having all, from Dante’s Heaven to his Hell, under the authority of his pen.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Good work is no done by "humble" men. It is one of the first duties of a professor, for example, in any subject, to exaggerate a little both the importance of his subject and his own importance in it. A man who is always asking "Is what I do worth while?" and "Am I the right person to do it?" will always be ineffective himself and a discouragement to others. He must shut his eyes a little and think a little more of his subject and himself than they deserve. This is not too difficult: it is harder not to make his subject and himself ridiculous by shutting his eyes too tightly.
Shoes divide men into three classes. Some men wear their father's shoes. They make no decisions of their own. Some are unthinkingly shod by the crowd. The strong man is his own cobbler. He insists on making his own choices. He walks in his own shoes.
The reader's challenge is to replicate the experiment by reading the poem and to draw their own conclusions.
If I've vividly laid out the narrative, the reader will come to his own conclusions.
Sneezing absorbs all the functions of the soul just as much as the [sexual] act, but we do not draw from it the same conclusions against the greatness of man, because it is involuntary; although we bring it about, we do so involuntarily. It is not for the sake of the thing in itself but for another end, and is therefore not a sign of man's weakness, or his subjection to this act.
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
If Ive vividly laid out the narrative, the reader will come to his own conclusions.
You may give a piece of bread to a hungry person, and when the cravings of hunger return some one else must administer to his wants again; to put that person in a position to earn his own subsistence is true charity; in this way you direct his feet in the path of true independence, he is then only dependent on his own exertions and on the blessings of his God.
I watched them carefully, as always, searching for a sign of mental weakness. But there was none. Every man was coping well with the hardship, each one of them locked into his task. But it is one thing to practice, and quite another to race. And the trouble is, you never know who, on the day, will find it within his soul to give more than he has ever given before. It takes a kind of madness to compete like that, because of the will power and the ego, and his loyalty. And while some men have it, others have yet to find it. And a coach can only use his best judgement as to who those men will be.
Every one of his characters has their own idea, their own thing they want to express. Dostoevsky just lets them do it.
I love it when a photographer lets me create my own movement and feeling to the images. By that I mean he doesn't restrict me in his or her own ideas but rather gives me a direction and lets me work within those boundaries freely.
What is the good of drawing conclusions from experience? I don't deny we sometimes draw the right conclusions, but don't we just as often draw the wrong ones?
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