A Quote by Steven Sebring

I just wanted to be Patti's [Smith] messenger and get her word out there. — © Steven Sebring
I just wanted to be Patti's [Smith] messenger and get her word out there.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I was periodically interested in films, and so I just kept asking her if I could come around.
I took pictures of the objects and artifacts that Patti [Smith] would show to her friends because I wanted to document them.
I met Patti Smith, which is not Hollywood, but that really blew my mind. I love her. We were at a very small party, too, on a boat, and I totally fanned out. I told her that I loved her, and wasn't cool at all.
'M Train' will take you in and out of dreamscapes and reality and remembrances with prose so spare and matter-of-fact that it delivers a much bigger emotional punch. Patti Smith doesn't need to embellish; she just tells her stories... and her stories are incredible.
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
I loved 'Just Kids' by Patti Smith.
We were just hanging out and getting to learn about each other. But I think trust was a really big thing. Patti [Smith] is a good friend, somebody I can talk to.
The commercial space industry owes a huge debt to Patti Grace Smith. There might not be a commercial spaceflight industry were it not for Patti's leadership.
I listen to a lot of artists like Tori Amos, Cherry Glazerr, and Patti Smith, and I kind of wanted to follow in their footsteps, or at least try to be that genre-defining.
I wish I could have hung out with Patti Smith in the seventies, and also have some crazy times.
I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
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