A Quote by Steven Sebring

Fashion's been really good to me. It financed Patti Smith: Dream of Life. — © Steven Sebring
Fashion's been really good to me. It financed Patti Smith: Dream of Life.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
I can do the vocal acrobatics but I really try not to. I've always been drawn to singers who sing it like it is, pure, straight down the line: Ella Fitzgerald, Patti Smith, Carole King. Simplicity is really important to me.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
I didn't really have a mentor, but I have always definitely been inspired by the '70s - the Stones, Patti Smith, Anita Pallenberg.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment for a voiceover, or a poem," and then we'd bring in some sound design.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."
We were just hanging out and getting to learn about each other. But I think trust was a really big thing. Patti [Smith] is a good friend, somebody I can talk to.
I think my biggest muses in fashion are probably rock 'n' roll girlfriends, like Anita Pallenberg and Marianne Faithfull and Bianca Jagger - and then maybe Patti Smith a bit as well.
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
The commercial space industry owes a huge debt to Patti Grace Smith. There might not be a commercial spaceflight industry were it not for Patti's leadership.
Look at Kate Bush, Patti Smith, Yoko Ono - three really private people, but when they're on stage or when they're singing, they let go like no one else.
There's a part of me that wishes I could go out in T-shirt and jeans, 'cause I really love Patti Smith, Cat Power, girls who look so casual; that appeals to me 'cause I guess it's the opposite from what I do. But I can never let myself just do that - I always have to try and dress up and create something.
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