A Quote by Steven Sebring

She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith]. — © Steven Sebring
She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].
'M Train' will take you in and out of dreamscapes and reality and remembrances with prose so spare and matter-of-fact that it delivers a much bigger emotional punch. Patti Smith doesn't need to embellish; she just tells her stories... and her stories are incredible.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I met Patti Smith, which is not Hollywood, but that really blew my mind. I love her. We were at a very small party, too, on a boat, and I totally fanned out. I told her that I loved her, and wasn't cool at all.
Never underestimate a girl’s love for her favorite band. Never think even for a minute, that she won’t defend them to her death. Because it’s not just the music that makes that band her favorite. It’s the guys, the gals. It’s the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music.
Carly Simon abandoned the stage for seven years after collapsing from nerves before a concert in Pittsburgh in 1981. When she resumed performing, she would sometimes ask members of her band to spank her before she went onstage, to distract her from her anxiety.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
She stood, squared her shoulders. “We’ll do it. Together.” And then she did something that shocked them both. She rose on her tiptoes and pressed a swift kiss on his lips. “Thank you for returning to help me.” When she tried to move away, he latched onto her forearms and held her in place. His eyes were gleaming. "Next time you decide to do that…" What?" she said, stiffening. "Give you a little warning?" No." He grinned. "Linger.
You're not the way everyone says you are," Kaye said, looking at him so fiercely that he couldn't meet her gaze. "I know you're not." "You know nothing of me," he said. He wanted to punish her for the trust he saw on her face, to raze it from her now so that he would be spared the sight of her when that trust was betrayed. He wanted to tell her he found her impossibly alluring, at least half enchanted, body bruised and scratched, utterly unaware she would not live past dawn. He wondered what she would say in the face of that.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
It was Stevie Nicks who made the biggest impression and really resonated with me. I found her intriguing and liked her voice. Her songs were kind of mysterious, and she was a woman in a rock band.
My mom was the only one who didn't bleach her skin. She was the one who kept her natural complexion. So yes, I consider her a role model. All of her other family members would say to us, 'Oh, your mom is so beautiful. She's lucky she kept her skin.' Those comments stayed with me.
Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.
When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I was periodically interested in films, and so I just kept asking her if I could come around.
I was happy to find out that when on tour, Dolly Parton doesn't use hotels but stays on her bus every night, to the point of having her buses shipped from Austria to Australia so she can tour the way she sees fit. I used one of her buses once - an honor.
Life had stopped for her a long time ago. She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.
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