A Quote by Steven Shainberg

Who could be more desperate than filmmakers? — © Steven Shainberg
Who could be more desperate than filmmakers?
Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.
I've often thought even ragtag gatherings of documentary filmmakers are more fun than gatherings of fiction filmmakers.
In New York, everyone's desperate for success, desperate for money and desperate to be accepted, but in London they're more laid back about things like that.
I could have lied. I could have fought. But desperate times call for desperate measures, so I took a chance and called upon a Gallagher Girl's weapon of last resort. I flirted
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
Without the benefit of Google, ask anybody to name more than five female filmmakers that have made more than three films. It's shockingly hard.
More than anything, the journal wanted. It wanted more than it could hold, more than words could describe, more than diagrams could illustrate. Longing burst from the pages, in every frantic line and every hectic sketch and every dark-printed definition. There was something pained and melancholy about it.
We are loaded down with too many good things, more than we could ever need, while others are desperate for a small loaf. The good things we cling to are more than money; we hoard our resources, our gifts, our time, our families, out friends....how ludicrous it is to hold on to the abundance God has given us and merely repeat the words 'thank you'.
To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.
I'm more influenced by novelists than I am by filmmakers.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
During the Civil War, the Underground Railroad became a spy network, so we could still have fresh stories for these characters years into the future, with desperate people still doing desperate things.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
There is nobody more terrible than the desperate.
My 20s were all about feeling desperate. Desperate to find a new boyfriend. Desperate to get the perfect job. Desperate to get rid of this terrible relationship with this bad new boyfriend.
I put more emphasis on filmmakers than maybe Hollywood does.
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