A Quote by Steven Tyler

There's nothing like an Aerosmith groove — © Steven Tyler
There's nothing like an Aerosmith groove
Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
To be honest, I've only been to one concert, and it was Aerosmith. Aerosmith and Slash.
When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
I grabbed another. Aerosmith. Nope, can’t throw classic Aerosmith. I snatched a copy of the Thompson Twins’ greatest hits and chucked it at him.
Any time I'm trying to find that groove on a big tempo song, I go back and listen to some Aerosmith records. 'Love in an Elevator,' 'Rag Doll,' all that stuff was really great music. It's something that I still dig and go back and listen to.
The melodies are always the most important part to me. I am pulled more to the groove than the chord progression. After you find the groove, you find the most simple chord progressions and then sit inside that groove.
I'm of the generation that discovered Aerosmith because of Run-DMC. They just looked crazy to me. They were the dudes in the Run-DMC video. That's who Aerosmith was.
I was in a band called Groove Solution. Because there was a groove crisis, and we solved it.
Just because a record has a groove don't make it in the groove.
There's a surge, there's a kind of energy field that says, 'I'm in my groove, I'm in my groove.' and nobody has to tell you, 'You go, girl,' because you know you're already gone.
Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston.
When people think of Aerosmith, I want them to think of the music we've made and nothing else. I don't want the responsibility of some young kid trying to live his life like I did back in the '70's.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
It takes me probably about four hours to get into the groove [with making music]. And it's really important for me to not break the groove.
The first willing concert I went to was Aerosmith when I was like 14.
I like Journey, Bad Company, Soundgarden and Aerosmith.
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