A Quote by Steven Tyler

I'm very sensual and very rhythm-oriented and into poetry. Women can feel that. — © Steven Tyler
I'm very sensual and very rhythm-oriented and into poetry. Women can feel that.
One of the things that distinguishes poetry from ordinary speech is that in a very few number of words, poetry captures some kind of deep feeling, and rhythm is the way to get there. Rhythm is the way the poetry carries itself.
I'm an ER doctor, period. I look at a problem with a certain lens: very action-oriented, very results-oriented.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
One very important side of my playing lies in rhythm; I have a very percussive style. It's one I've developed with Dream Theater over the years, and requires the guitar to be very locked into the rhythm of the drums... way more than what would normally entail.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
A true gentleman is at a disadvantage in dealing with women. Women are realists, and their tactics are realistic, so no man should be a gentleman where women are concerned unless the women are very, very old or very, very young. Women admire gentlemen, and sleep with cads.
Latin men love Latin women, it is part of the culture, we celebrate women in a very special way and I think that is present in my work. I do it by making them beautiful, sensual.
I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
Poetry springs directly from our primal need and capacity for communication[Poetry] mobilizes such a concentration of devices, such an intensification of language via rhythm, syntax, image and metaphor. Reading it-the best of it-can create another, very different kind of perpetual present, an awareness that can be as ongoing in the soul as the stop-time of trauma.
Iranian people are very hospitable, very family-oriented and besides that they have a very beautiful country.
A ponytail or a chignon makes me feel very beautiful and sensual. I feel like I can be more myself that way - I can move and talk without worrying about the hair.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
I love sensual women like Beyonce who are very empowering and sexy at the same time, but if it's not what you want to do then you have to say no.
The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.
I feel often very close to the ecstasy and anguish which lie at the very heart of poetry - I am writing a lot.
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