A Quote by Steven Tyler

I hate it when people say that they don't like 'MMMBop.' Everyone likes 'MMMBop.' Whether they like it or not, the song rocks. — © Steven Tyler
I hate it when people say that they don't like 'MMMBop.' Everyone likes 'MMMBop.' Whether they like it or not, the song rocks.
I think there are a variety of misconceptions that go along with what 'MMMBop' and our band has been perceived as from the beginning, but I have absolutely no qualms whatsoever about playing 'MMMBop.'
'MMMBop' took about a year to actually get completed. The chorus idea had really been around for a long time, and then we built the song around it.
I don't get sick of 'MMMBop' in any way shape or form, and I don't know why I would.
Hanson will be associated with 'MMMBop' and long blonde hair in the same way the Beatles are associated with mop tops and suits.
Every book has to start with a first chapter, and I think that 'Middle of Nowhere,' 'Mmmbop' and 'Where Is the Love' are good places to start for us. I don't think it's a bad place.
There are lots of things that everyone else likes that I hate. So I feel that audience rights are very important. I just want people to hear it and decide if they like it or don't like it as they would with anything else.
And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked song they put into it; and I wanted to make faces and twist myself about the way they did, and I went on and on a long way till at last I liked the rocks and they didn’t frighten me any more
'MMMbop' ultimately is about trying to see the positive in the negative, trying to see the positive relationships you'll have the in the face of challenge and strife.
Music should always be polarizing. What one person likes, somebody else hates. And I hate that kind of snobbery in pop music. The fact that so many people are getting upset over this one song is hysterical. And if people like it, that's great.
I think when you write every song on your album - it's like having eleven or twelve children. It's hard to say I like this one song more or I like that one more. I love every song on the album. What's happening is that I'm hoping that everyone will be very satisfied. I think the single "Good Girl" will be adored by the people in the urban world and I think the "Best of Me" will be loved by people in the pop world.
I hate negativity. I hate people who say the phrase 'I hate'. I really don't like the word 'hate.' Dislike, frightened of, terrified of, or yukky - but not 'hate.'
If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.
I hate to say it, and Apple never likes it, but I love anything that's hacker oriented. I don't like passing it onto others, or getting things for free. I don't like stealing music one bit, at all.
When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.
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