A Quote by Steven Tyler
We need to go back to the way it was 30 years ago, when everybody had Grandma and Grandpa, and we were willing to pass moral judgments about right and wrong.
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I heard some famous people had an anniversary, five long years together, it was Hollywood history. Now my grandma and grandpa never made no printed page, but they took the love of 57 years right to the grave.
Obviously everybody is accountable for their own actions, and everybody has to make judgments based on their own conscience as to whether or not they believe what they were doing is right or wrong.
I think that unless you can take judgments of right and wrong like an automaton, you must have emotions because that is our only way of moral guidance.
Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
My grandma had a kids' clothing store for over 30 years called Shannon and Company, and my sisters and I used to go and work there in the summers.
The only difference between the narrator of contemporary affairs and the ordinary historian is that moral judgments about the present provoke fiercer reactions and have more immediately practical implications than moral judgments about the past.
I guess I always had made some assumptions about what it would be like to work in a tech company, and some were right, and some were wrong. I had a lot of, looking back on it, now naive ideas about how companies build their brands, and a lot of those notions I ended up realizing were kind of wrong.
What makes us human depends on what place on our evolutionary path we're talking about. If you go back six million years ago, what makes us human is that we were walking upright. That's all. If you go to 2.6 million years ago, it's the fact that we're designing and making stone tools.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
If you listen to Hillary 30 years ago and Hillary today, she's still complaining about the same things. She's still promising to fix the same things. She's still suggesting we need to address the same things. It tells me that in 30 years, she has not solved anything. In 30 years, she hasn't fixed anything. In 30 years, she hasn't made anything better.
Do you know I had the best time on 'Loose Women' and I'm very, very fond of the show still. I know everybody who's on it and it's a great open door to go back if I need to. Everybody on there is lovely and I've got a great relationship with them - the new ones and the old ones. It's been a big part of my life over the years, so it's nice I can nip back. I do miss everybody on it, but we're all on What'sApp, so I know what everybody is up to.
Moral principles do not depend on a majority vote. Wrong is wrong, even if everybody is wrong. Right is right, even if nobody is right.
I'm not saying that atheists can't act morally or have moral knowledge. But when I ascribe virtue to an atheist, it's as a theist who sees the atheist as conforming to objective moral values. The atheist, by contrast, has no such basis for morality. And yet all moral judgments require a basis for morality, some standard of right and wrong.
The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
I used to live in Devon when I was 8 years old. My mum, my grandma, and grandpa are all British.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
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