A Quote by Steven Van Zandt

I've always been very thematic with my work, very conceptual. — © Steven Van Zandt
I've always been very thematic with my work, very conceptual.
I was a very nice boy. I was well-educated ... very Catholic family. So I was very respectful, never late at work. I was always the last one to leave. It's always been that way in my life.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
I've been really very fortunate with the men I've been involved with. They've always really treated me very, very wonderfully. And whenever anything broke up, I was always the one to leave. So I think I've been really very, very lucky.
I've always been very comfortable with me and the people I work with, and my family have always been very plugged into who I am with my personal life.
I do work very hard. I have been very colored by that education. I spent six days a week, seven hours a day training. That will always be the foundation of my work.
We only work? the most I ever work is three days a week. Very rare that I will work four. If I?'m involved in a scenario where they need me to be in it, I don'?t mind. They always work around my children?s schedule, their sports, and stuff like that. That?s been very important to me.
I've been acting since I was a child, and though this was different in a way, I think I've been very blessed. The majority of the sets I've been on have been very inclusive and very empowering, and I've often chosen to work with people that sing from the same song sheet.
Akon is a very talented songwriter to work with. His melodies, they're just insane. It's funny, I think about him a lot when I'm doing my melodies because he's so simple, and he's just been great. He keeps me on my feet, very grounded, but he also puts me on a silver platter, which is always very nice. So it's been an incredible influence. It's like every time you work with somebody that's better that you are, you become greater.
America's been very, very good to me. I've been very lucky and worked a lot there, and appreciate and love the work that I've done.
My work is has always been very, very personal.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
I'm very lucky, I've got two very loving parents, still very much together, and always been very supportive.
My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.
I mean, I'm new but I've always been very interested in film making process and I've been lucky enough to work with film makers in my past that have been very encouraging to let me hang around. I get so emotionally vested - that the producer part of me was natural.
The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing, and put it into a story.
There are two very different types of artists: those I call Old Masters, who work by trial and error and tend to improve with age, and conceptual people, or Young Geniuses, who generally do their best work early in their careers.
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