A Quote by Steven Van Zandt

I have very little interest in the modern world, and I'm not in any way conflicted about that. — © Steven Van Zandt
I have very little interest in the modern world, and I'm not in any way conflicted about that.
There is very little chance of the modern Republican Party putting the national interest above their own partisan interests.
It feels very different to have long, thick, brightly colored hair. It makes me feel so conflicted to wear, and I believe showing a conflicted person onstage is actually really interesting and emotionally engaging. I'm trying to not just be the person standing on the outside and looking at something, but to actually be it, in a way.
Peace is the wish of the French of Italy Spain Germany and all the world, and Great Britain alone the cause of preventing its accomplishment, and this not for any point of honour or even interest, but merely lest there should be an example in the modern world of a great powerful Republic.
I do have very strong, very conflicted feelings about rating systems and social media.
There is very little that our government or any government can do to plant the seeds of international understanding in the hearts and minds of people around the world. If people by the millions can reach out their hands in friendship and communicate directly warmth, personal interest and respect, it will be a real beginning in the struggle for a peaceful world.
I do not see in what way the face of a man should be a less interesting landscape than any other. A man, the physical person of a man, is a little world, like any other a country, with its towns, and suburbs.. ..As a rule what is needed in a portrait is a great deal of the general, and very little of the particular.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.
Much mischief is done in the world with very little interest or design.
It's in no way my interest (according to the common acceptance of that word) to convince the world of their errors; that is, I shall get nothing from it but the private satisfaction of having done good to mankind, and I know nobody that reckons that satisfaction any part of their interest.
One of the things that has made America exceptional - compared to other crisis-prone and class-conflicted countries - is that it has long enjoyed a benefit no other modern nation in the world could claim: the ability to engage in ceaseless, endless movement outward.
What I find to be very bad advice is the snappy little sentence, 'Write what you know.' It is the most tiresome and stupid advice that could possibly be given. If we write simply about what we know we never grow. We don't develop any facility for languages, or an interest in others, or a desire to travel and explore and face experience head-on. We just coil tighter and tighter into our boring little selves. What one should write about is what interests one.
Coupled with Usury, Unrestricted Competition destroys the small man for the profit of the great and in so doing produces that mass of economically unfree citizens whose very political freedom comes in question because it has no foundation in any economic freedom, that is, any useful proportion of property to support it. Political freedom without economic freedom is almost worthless, and it is because the modern proletariat has the one kind of freedom without the other that its rebellion is now threatening the very structure of the modern world.
There are a lot of unspoken things with me and Nimai [Larson]. We're very yin and yang, neither one of us really treads on each other's toes. She's this wizard of the rhythm world, and I know nothing about that, but I can dabble with melody and lyrics and that's something she doesn't really have any interest in. We complement each other in that way.
...how little our side of the industry did to move its business to the more ethical firms and to make a fuss about conflicted or unethical behavior. Had a number of us moved our business, we might have slowed or even stopped the 30-year slide in conflicted, unethical behavior that we have experienced. I, for one, regret the modest nature of our moves. We all could have done more. We have tolerated a pretty nasty decline in standards. Shame on us.
The promise of any artwork is that it can hold us - viewer and maker - in a conflicted or contestable space, without real-world injury or loss.
This site uses cookies to ensure you get the best experience. More info...
Got it!