A Quote by Steven Van Zandt

To walk into a studio, for me, is just like walking onto a beach or something. — © Steven Van Zandt
To walk into a studio, for me, is just like walking onto a beach or something.
For me there was-is-nothing better than walking on the beach late at night. It feels like you could walk forever, like the whole night is yours and so is the ocean. When you walk on the beach at night, you can say things you can't say in real life. In the dark you can feel really close to a person. You can say whatever you want.
I find I'm not one of these composers that are, you know, walking along a beach or walking on the mountainside in County Donegal that's, you know, 'Oh, a melody.' It's more a matter of eventually taking that moment with me to the studio, and it begins to evolve.
I love going to the beach. I like just walking around South Beach, but sometimes, when you're famous, it can be a little difficult.
I live three blocks away from the beach, so every day I walk down to the beach to run or go swimming. Hiking is a big one for me - so long as it's something where I'm not thinking about working out, like in a contrived class or the gym.
Marking success, for me, is walking onto a court and just walking off healthy, no matter if it is one minute or two minutes.
When I walk, I try to set a fairly brisk rate. I love walking outside. I hate machines like treadmills. The path that I have chosen to walk is just city streets, but you see pretty houses, trees... my routes have some hills in them; it's not just straight walking. You have to exercise your heart and lungs.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
You want to know what I was thinking?...I was thinking that I wished you'd been with me the last couple of days. I mean, I enjoyed getting to know everyone better. We ate lunch together, and the dinner last night was a lot of fun, but it just felt like something was wrong, like I was missing something. It wasn't until I saw you walking up the beach that I realized it was you.
I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.
When we were kids, we would just go walking: just walk in a direction and hope that you were gonna find a crashed alien spaceship or buried pirate's treasure or something like that. You never did. You'd find, like, a coyote skeleton, something like that. That was the most exciting thing you'd ever find.
I'm a sinner just like everybody else and I have my faults and I've been through my dark times in my life to where I wasn't walking the walk and talking the talk, or I may have been talking the talk, but I wasn't walking the walk.
The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
If you are walking backward, away from something you think is a mistake, you may be right in supposing it is a mistake, but for you to be walking backward is never right. You know what happens to people who walk backward.... We are meant to walk forward, not backward, and reaction is always a matter of walking backward.
I've never been shy or secretive with the fact that if you walk into my life, you may be walking onto a record.
I’ve never been shy or secretive with the fact that if you walk into my life, you may be walking onto a record.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
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