A Quote by Steven Weber

My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience. — © Steven Weber
My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.
There is something about being a director where, for me personally, I get to . . . it's the closest I'll ever come to being able to be a stand up. And to use my particular sense of humor, and hear people laughing, without me having to stand up in front of an audience and tell jokes.
A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying.
When I was a kid I would get upset when people laughed at me when I didn't mean to be funny. I would always hear,'We're not laughing at you. We're laughing with you.' But I would say, 'I'm not laughing.
We writers – and especially writers for children, but all writers – have an obligation to our readers: it's the obligation to write true things, especially important when we are creating tales of people who do not exist in places that never were – to understand that truth is not in what happens but what it tells us about who we are. Fiction is the lie that tells the truth, after all.
In point of fact, I'm not sure there are too many comedies with laugh tracks anymore. Most of what you hear is live studio audience laughing as a show is filmed. If this prompts you to wonder who those actual human beings are who are laughing at some of this stuff, that is a mystification I share.
If someone comes and tells me I've done great work, that's not what I want to hear. But if someone comes and tells me that this could have been a notch better, I'd spend an hour with the person and hear him or her out.
I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.
Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that.
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it a very singular experience for me. Suddenly I'm not connected to the audience anymore.
I'm a huge lover of going to the theater and having that experience of people in the room. Any time you go to an experience like this, you hear it in a different way because sound systems are different.
I always try to use my medium, and if I get into a normal sitcom-writing contest with normal sitcom writers, I'm going to lose.
We've all had that experience where we hear a song that we've liked for many years, and we finally hear what the writer tells us what it's about, and you're often disappointed.
The laugh track was invented to cue the audience to the jokes and encourage laughter in response. But it has another effect: if you hear people laughing and you're not, you start to question if maybe there's something wrong with you for not getting it.
I love supporting emerging voices, and new writers and directors. I love engaging an audience in a way that doesn't have to involve me, personally, and yet still generates an experience for groups of people.
You hear some people saying, 'I'm alive on stage; it's where I feel most complete...' I don't understand that at all; I find that weird and depressing. I don't dislike the audience; it's just when I'm up there, they're in the darkness. There's just a sound of laughing or not. They're not 'people,' they're this big organism.
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