A Quote by Steven Wilson

I never claimed to be a generic artist, period. I never wanted to be a generic artist. — © Steven Wilson
I never claimed to be a generic artist, period. I never wanted to be a generic artist.
'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.
Everyone is talking about sustainability and resilience, yet all that knowledge is thrown in the bin. [Lagos is] a unique case, but also a test case. It's unbelievably unique, but also it's now considered with a number of really generic opinions, generic solution, generic expectations.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
The Law of the Generic: One of the fastest routes to failure is giving a brand a generic name.
I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
The generic Canadian style of illustration is different from the generic American style.
I was never shielded from the realities of what it meant to be an artist and that made me afraid to be an artist because I wanted to know that my life was secure.
For 35 years, I've said, 'I'll never go solo.' But after a period of time - and this isn't just for an artist, but for anybody - all the things you never wanted to do eventually become the only things left that you haven't done. So they start looking pretty interesting.
I never had any ambition to do anything commercial, anything journalistic. I wanted to be an artist, and I wanted to be an artist whose work was done in the medium of photography. It may be debatable to this day whether I ever succeeded in achieving that ambition, but the point is, I never had any uncertainty about that.
I'd never wear something that's too generic.
The higher cost of getting a generic drug approved by regulators means that many old medicines don't face competitors. It's only after substantial price hikes that these drugs offer enough revenue to offset the rising generic entry costs, and start to entice competition.
I've been criticized for doing so - crossover music. But I never claimed to be a pure dancehall artist.
I never looked up what a Midwestern accent was; I just did a very generic one.
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
This site uses cookies to ensure you get the best experience. More info...
Got it!