A Quote by Steven Wilson

I've always wanted to make some kind of music that was universally appreciated. — © Steven Wilson
I've always wanted to make some kind of music that was universally appreciated.
I wanted to lift the aspects of the lyrics and imagery that I found sincerely powerful and touching, plus the amazing musical extremities, and make my own thing. That's what making music has always been for me. Synthesizing a nonexistent kind of music that I wish existed because I wanted to listen to it.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I had a chance to make a living at the thing I love, and I have always appreciated that, and I have always wanted to give something back.
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
It has been my dream to feature on Billboard's list, as I always wanted to make music for India that will make to that list. I have always wanted to take Indian music to an international platform someday, even if it is on number 100.
Music videos are notoriously long, not fun, grueling. You are known there as a dancer and it's kind of sad because dancers, in a lot of ways, are under-appreciated and kind of under-respected when it come to that so they don't necessarily treat you in a nice way when you do a music video.
All men who have ideals . . . live by some kind of faith, by committing themselves to some kind of loyalty which is not universally recognized as the common property of all thinking men. They must have something-something outside themselves, to make them feel life is worth living, that good rather than evil is the explanation of the world.
When you're from a boring town, you have to find things to do. It's funny: I always knew I wanted to make music, so I was always kind of ahead of my peers. I had an MP3 player by the time I was in the fourth grade.
I always wanted to be cheered up. I felt like that feeling of the first day of summer or when a girl would agree to go on a date or you found a $20 bill - that undeniable rush of excitement - I wanted to make a soundtrack of music for that kind of moment.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I've been with Semperoper Ballet in Dresden, Germany, for five years - I wanted to escape the competitive dance world and go somewhere where I felt appreciated for my talents. Stateside, it was always kind of a struggle. And the competition? Not into it.
I always wanted to know what the music behind some music was, or where it came from, and that gave me a point of reference for understanding the music I was listening to.
Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.
My movies were not reaping the kind of emotional rewards that I wanted. I wanted them to be appreciated and they weren't. I didn't want the reviews to say, "Mel Brooks has made another movie," and you get the title somewhere in the second paragraph.
With 'Torches,' I wanted to make a great pop record; I wanted every song to be exciting, not to have too much space, no long pieces of music without vocals. I kind of wanted to write the perfect pop album.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
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