A Quote by Steven Wilson

I grew up listening to a lot of very smart pop records by artists like Kate Bush, Talk Talk, Peter Gabriel, Prince, Depeche Mode, Tears for Fears, The The. — © Steven Wilson
I grew up listening to a lot of very smart pop records by artists like Kate Bush, Talk Talk, Peter Gabriel, Prince, Depeche Mode, Tears for Fears, The The.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
If reggae comes from another country, you can have the relationship to reggae that I have to rock. But it's something I grew up with. It's probably something I appreciate more now. In the '80s, I was all about New Wave and synth pop - New Order and Depeche Mode and Eurythmics and Michael Jackson and tons and tons and tons of Prince.
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
I grew up listening to a lot of Malaysian pop music, which is kind of like a mixture of traditional and pop... I was also listening to a lot of English music as well.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
Like Juan Gabriel and Ana Gabriel, both singers and songwriters of legendary talent, Marco Antonio has reshaped a kind of Mexican romanticism. What he brings to pop music is the kind of songs that really talk to people's hearts.
I always wanted to do my solo album in English, because I grew up listening to a lot of pop artists and English-based songs.
A lot of the things I do deal with my race, but my race is who I am. I'm an American kid who grew up listening to predominantly hip-hop. I will talk about hip-hop as the music I grew up listening to, and I think sometimes people like to put it as, 'Oh, well, he's talking about black things.' And, yeah, they are, but that's my American identity.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
I rejected being a lot of things that I grew up in, and yet I didn't. I got all my tactics from where I grew up... I can talk about all the people in those environments more than I can talk about the teachers at Juilliard or anyone else.
I grew up on listening to, like, Mantronix and BDP and EPMD and Kool G Rap and Ultramag and Public Enemy and Fat Boys and Run DMC and a lot of those early records, those Rubin-era records. Those were always snare- and stab-heavy records.
There are definite reference points to older Depeche Mode records.
Because I grew up listening to and watching loads of pop/pop rock videos, I'm very influenced by the 1990s.
I grew up playing in rock bands while I was listening to rap records. I like a lot of stuff.
I'm one of these children who grew up at the knee of my grandmother and her elder sister, listening to very old people talk about their memories.
I don't really have girlfriends in movies, if you've noticed. Well, I have a few girlfriends, I just... I stay at home a lot. I'm just not very social. I don't do a lot with them, and I'm very homebound. I'll talk to my family, I talk to Brad... But I don't know, I don't have a lot of friends I talk to. He is really the only person I talk to.
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