When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
My dad was a big Frank Zappa fan, so I remember listening to a lot of Frank Zappa. Girls do not like Frank Zappa.
I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.
When I was growing up, when I was 11 years old I was listening to The Mothers of Invention. You know, I mean I was a Frank Zappa fan in Arkansas.
Jeff Beck is my idol .. sometimes he finds notes that I just do not have on my guitar. Frank Zappa's another one .. I loved Frank Zappa ... I do think Van Halen reinvented the guitar ... he's an excellent musician, a shrewd guitarist and as a person he's wonderful.
When music appears which only King Crimson can play, then, sooner or later, King Crimson appears to play the music.
November 18. . . I dig musicians, I feel they have the most to offer me mentally and emotionally because they think basically along the same lines that I do; extremely creative people. Music is Life. As Captain Beefheart once said 'God is a perfect musical note.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
I think the thing that I got most from working with Frank Zappa is that I was able to see someone who completely independent. The most beautiful thing about Frank was that he was completely in the moment and present and eternally creative.
The mother of invention in music is necessity, not Frank Zappa!
My obligation is to release the music the way Frank [Zappa] released it.
Frank [Zappa]'s music was never for the mass audience. His music contains specific kinds of information that you won't find elsewhere in rock and roll.
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
Somebody under 30, if the name Frank Zappa came up, they would just say, "Who?" To me that didn't sit well, because I felt my dad's accomplishments in music should be better known, not just in a popular way, but better understood.
People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.
It makes me itch to think of myself as Captain Beefheart. I don't even have a boat.
My parents were big music fans, and my dad plays music, so I grew up with Madonna, Frank Zappa, the Beatles, Alice In Chains... it was all over the place. I had a Third Eye Blind record, but I also had Korn, Courtney Love, and Shania Twain.