A Quote by Steven Wilson
Ultimately, I'd like to create a body of work where every album has its own personality and a reason to exist within the catalog, not just 'more of the same.'
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Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
It happens every millennium. Now more than ever, man threatens to destroy himself with his own technology, and all the ideas contained within Big Brother exist within Little Brother. We're all watching ourselves. We are our own oppressors. This is a time when an idea like God is needed more than ever. For me, I've found that God exists within yourself and what you create. The only thing we've got to look forward to is saving ourselves
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
I think it's dangerous to look at every Muslim woman the same and to assume that every experience within the religion is the same, meaning that there are going to be strong and assertive women that are Muslim. There's going to be a more passive woman who just so happens to be a Muslim. There may be a funny, big-personality woman and she's Muslim.
Ultimately, the main reason that you want more women in the sciences is the same reason you want more gay men in the sciences. It's the same reason you want more Latinos or African Americans; it's because if you come at a problem from a different perspective, you will be offering a creative vision that wasn't there before.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.
The chief reason I shove the reader inside the body - or more specifically, the chief reason I try to get the reader to feel their own body while they are reading, is this: we live by and through the body, and the body, is a walking contradiction.
For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
Ultimately, peace is just not about politics. It's about attitudes; about a sense of empathy; about breaking down the divisions that we create for ourselves in our own minds and our own hearts that don't exist in any objective reality, but that we carry with us generation after generation. And I know, because America, we, too, have had to work hard over the decades, slowly, gradually, sometimes painfully, in fits and starts, to keep perfecting our union.
What people don't realize is that the initial sales of an album isn't where the bulk of your returns come from. It happens over time, sitting in the catalog, picking up commercials, getting included on packages here and there - there's years and years of pipeline money that goes on. That's where real money comes from - building that body of work.
When I'm writing my album, it's totally my world. Even though it's myself and another producer creating the project, Conceptually it's more under my power and on my own terms. At the same time, it's a different type of pressure because I'm ultimately speaking, I'm solely responsible for the end result.
The true work of art continues to unfold and create within the personality of the spectator. It is a continuous coming into being.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
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