A Quote by Steven Wright

When I turned two I was really anxious, because I'd doubled my age in a year. I thought, if this keeps up, by the time I'm six I'll be ninety. — © Steven Wright
When I turned two I was really anxious, because I'd doubled my age in a year. I thought, if this keeps up, by the time I'm six I'll be ninety.
I never thought that it would take me so long to do something. I thought everything was temporary and sometimes the best thing you have working in your favor is a bad sense of time. In order to sit down and write a book that takes six years you have to have a screwed up sense of time because that's too daunting. No one is going to pick up a pen and a piece of paper and say, "Okay, six years, here we go."
At the end of every year, I add up the time that I have spent on the phone on hold and subtract it from my age. I don't count that time as really living. I spend more and more time on hold each year. By the time I die, I'm going to be quite young.
People are anxious to save up financial means for old age; they should also be anxious to prepare a spiritual means for old age.... Wisdom, maturity, tranquility do not come all of a sudden when we retire.
I completed the first three years of primary school in one year and was admitted to the local school the age of six directly into the fourth year, some two years younger than all my contemporaries.
My knee is as strong as it was before, if not stronger, and it's a matter of getting my leg strong. I lost six years of strength in about six month's time, so it's going to take another year or two to get that leg back up to full strength, but I'm good to go so far.
The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I went to Salford Tech. They did a two-year performing arts course. I went there singing and dancing - I had a terrible time. I turned up in green dungarees and German power boots. I was into prog rock at the time - Gong and Hawkwind - and I was clumping around.
The year I turned ninety, I wanted to give myself the gift of a night of wild love with an adolescent virgin.
In Jamaica we had the English way of schooling from the age of four, so when I got to America I was already a few years advanced because I started school at the age of three-and-a-half rather than six and my grades moved up accordingly. In America, they start you at school at six because the grades are different. I had to take a test and they didn't know what to do with me. It wasn't that I was any smarter; I had just started younger. All of a sudden I was jumped from eighth to tenth grade. They said I was very smart, but I was only smart in languages, really.
The Ninety-Ninety Rule of Project Schedules - the first ninety percent of the task takes ninety percent of the time, and the last ten percent takes the other ninety percent.
I love the whole physical thing in films. It keeps me on my toes, it keeps me awake, it keeps me alive. If I'm going to be shooting a movie from 7pm to 7am six nights a week, I best be as physical as possible because then I'll never get tired. Otherwise you sit down, it sounds really weird, but that's the part that wears you out.
Such a strange thing, to hold a six-year-old's hand. Especially a six-year-old you've only just met. A toddler will grab hold of your finger, and someone your own age will clasp on to your whole hand, but with six-year-olds it's something in between, this acknowledgment that they can't be the one to take hold, so you have to do all the holding, folding your hand around theirs, feeling so much bigger and responsible.
If you want to be in this business [acting], do it for the right reasons. Don't be in it because you want to be a celebrity. Be in it because you really love the work, and the work keeps you up at night, and it keeps you motivated, and it wakes you up early in the morning because you have ideas.
So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
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