A Quote by Steven Wright
Why do they put pictures of criminals up in the Post Office? What are we supposed to do, write to them? Why don't they just put their pictures on the postage stamps so the postmen can look for them while they deliver the mail?
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I really did put up all my wedding pictures on my website. And I swear to you, my wedding pictures got downloaded just as much as my bikini pictures.
You don't paint pictures to put them in your attic. You want people to look at them.
It is my misfortune - and probably my delight - to use things as my passions tell me. What a miserable fate for a painter who adores blondes to have to stop himself putting them into a picture because they don't go with the basket of fruit! . . . I put all the things I like into my pictures. The things - so much the worse for them. They just have to put up with it.
Have you noticed that they put advertisements in with your bills now? Like bills aren't distasteful enough, they have to stuff junk mail in there with them. I get back at them. I put garbage in with my check when I mail it in. Coffee grinds, banana peels...I write, "Could you throw this away for me?"
Why do most great pictures look uncontrived? Why do photographers bother with the deception, especially since it so often requires the hardest work of all? The answer is, I think, that the deception is necessary if the goal of art is to be reached: only pictures that look as if they had been easily made can convincingly suggest that beauty is commonplace.
When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.
It's rare that I'm able to get to my desk in the morning without stopping halfway there, turning around, and going in the opposite direction because of a pressing need to straighten all the pictures on the walls, floss my teeth a second time, and make certain that there really are 100 postage stamps in the roll of stamps I bought yesterday.
Handwriting challenges aside, I love paper cards. I love the endless stewing involved in picking them out at the store. I love buying holiday stamps at the post office, and I love that 'whoosh' sound the cards make when I drop them into the mail slot.
It's lame when I'm hanging out with my friends and they're so busy taking pictures to put on Facebook, instead of enjoying what they're doing. You're gonna look back and have 10 million pictures, but you're not in one of them because you were too busy clicking away. I think it's best to stop telling people about it and enjoy the moment you're in yourself.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
If you're posting pictures to platforms like Instagram or Twitter, be selective about the one you post. If I'm capturing a sunset, I'll take at least 10 pictures. I'll then filter them using other apps, enhance them. Then, I really pick the best image of perhaps 30.
I don't want pictures of my kids anywhere. I don't tweet pictures of my kids. I don't put them on any social media. I definitely do like to keep some privacy that way. And mostly, it's fear-based; people are crazy.
I don't click pictures. People carry a camera with them while travelling, take pictures, keep them as memories, but I don't. I don't even have a camera.
All I know for sure is that dreams are the pictures of states wanting to turn into processes. Dreams are maps of the beginning of an otherwise unchartered trip into the unknown. They are pictures of the unknown which appear in many channels. Because process work is body-oriented, I put a stress upon feelings, but dreams are not pictures of just feelings; they are pictures of the way the unknown is showing itself in a given moment.
When I started working in fashion, I didn't have money to buy photographs, so I'd Xerox pictures from magazines and put them in notebooks. When I'd start a collection, I'd sit with my old notebooks and look through them for inspiration.
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