A Quote by Steven Wright

I saw a close friend of mine the other day. . . . He said, "Stephen, why haven't you called me?" I said, "I can't call everyone I want. My new phone has no five on it." He said, "How long have you had it?" I said, "I don't know . . . my calendar has no sevens on it."
"Patience, grasshopper," I counseled. "You don't want to seem overeager." "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said."You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?""But you don't even have my phone number," he said."I strongly suspect you wrote it in this book."He broke out into that goofy smile. "And you say we don't know each other."
My father-in-law saw me at a dance performance. The next day, I got a phone call, and the caller said, 'I'm Dhirubhai Ambani... may I talk to Nita?' I said, 'It's a wrong number' and put down the phone. Then he called again... and I said, 'If you're Dhirubhai Ambani, then I'm Elizabeth Taylor.'
I love Forever 21. A friend of mine introduced it to me when I was in New York. I was borrowing a dress and said, 'Where's that from?' and she said, 'Oh, it's Forever 21,' and I said, 'What, I've never heard of that!' and she said, 'Oh it's this American brand,' and I thought, 'Why doesn't England have that; why doesn't Europe have one?'
One day my wife went and saw the accountant and said she's pulling the plug. She said you guys are done. I said, how bad can it be? 10 grand? She said you're not even close. It came out to almost $50,000 in alcohol for two months.
I decided to become an actor at five. I saw the most gorgeous woman that I had ever seen in my five years of living on television. She had on a long, red dress and her eyelashes looked like butterflies and I said, "Grandmamma, who is that?" She said, "Baby, that's Lola Falana." I said, "That's it right there. I want to be black, fabulous, and on TV."
I came home from school one day, and there was a phone call for me. And I picked up the phone. They said, 'This is the Harvard Admissions Department. We'd like to let you know that you're accepted in the freshman class.' And I said, 'Come on, who is this really?'
A famous actor told me once - I don't want to name names, I hate that sort of thing - but I was at his house and he said, 'Are you on Twitter?' I said, 'Yes, I am.' And he said, 'There'll be one day when you'll have, like, five friends. And in the same day it'll go to five thousand.'
I remember talking with a friend. He asked me a question. He said, 'What's your end game? What's your goal with this?' And I said to him, 'You know, I want to win the Academy Award one day.' And he said, 'OK'.
An actor had made a comment and said, 'You are so unapproachable.' He called me boring and said, 'You're no fun.' He also said, 'I don't know if I ever want to work with you again.' And I never worked with him after that film.
Jessica Biel is a really interesting case. She actually called us after the table read and said, "You guys should go meaner." She pitched us, and said, "Look, I know there are a lot of things to make fun of me about. I don't want people to think you're pulling punches. Please, dive in." We asked, "Could we tell a joke about your friend and mentor Stephen Collins?" And she said, "Well maybe not so much in that area. As long as the jokes were about me, I'm game for everything."
Why don’t you lift the end?” said Alf. “It’s me back, Alf,” complained Mack. “You know how it troubles me.” “No more than mine troubles me,” said Alf. “But I said it first,” said Mack.
I remember Grace (Coddington) looking at me and said, 'Can you do something?' and I was like, 'OK, how long do you give me?' and she said 'Half an hour?', I said 'Forty-five minutes?'
He cleared his throat, "Zoe, i think you said you love me." "I did say it. I do love you with all my heart." "I see." There was a long pause, then he said, "For how long has this been going on?" "I don't know," she said, "Sometimes i think it started a long, long time ago." "You might have mentioned it." "I didn't want to encourage it," she said, "I thought it was a bad idea.
When I saw 'Legally Blonde' on Broadway, I rang my agent and said 'I want to be seen for this,' but the rest weren't big choices, really. 'Hedda Gabler' was a phone call offering it to me, and as I've said before quite embarrassingly, I didn't know the play, so I didn't sit there thinking 'I would now like to tackle Ibsen.'
I had just gotten a job on 'Preacher' on AMC and was in New Orleans starting work on that. My agent called and said 'Are you sitting down?' and I said 'No' and he said 'Scott Rudin wants you to do 'Hello, Dolly!' and all I could say was 'Oh my God, I'll have to call you back.'
A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.
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