I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards.
I went out on a date with Simile. I don't know what I metaphor.
A simile is just a metaphor with the scaffolding still up.
The simile has to match the tone of its surroundings and has to be like a little joke. Writing a simile that isn't funny on some level is quite hard.
Ray Bradbury taught me the importance of metaphor and simile and poetic style.
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
The simile sets two ideas side by side; in the metaphor they become superimposed.
One thing that literature would be greatly the better for
Would be a more restricted employment by authors of simile and>metaphor.
In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.