When I played a club in Salt Lake City, I complained to the crowd about the low turnout. It's always good to berate the people who paid to see you because you're upset about the people who didn't show up. It's called misplaced anger, and without it, I wouldn't have an act.
Growing up, I remember taking trips with my family to Kentucky Lake and visiting Lake Cumberland, and camping with friends at Red River Gorge.
Monsters are getting more uppity, too (...) I heard where this guy, he killed this monster in this lake, no problem, stuck its arm up over the door (...) and you know what? Its mum come and complained. Its actual mum come right down to the hall next day and complained. Actually complained. That's the respect you get.
When I was a kid, I worked in the circus. It was a touring circus that was owned by a man named Terrell Jacobs. It was just one big tent, and he was a lion tamer. He didn't have any kids, but the bit was that I would dress up as his son in an identical outfit.
I went to a tent store. "What kind of tent do you need?" "Circus."
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
People get excited about things like 'Swan Lake' because they generate a personal involvement. If you set up the story properly, audiences respond to the ambiguity. People ask, 'What exactly is happening in Act Four?' and I never say. I can't put it into words, but they've got a feeling about it, and that's good enough.
But the soul of touring and the heart of it is basically every day is like putting up a circus tent.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice there is little we can do to change until we notice how failing to notice shapes our thoughts and deeds.
About shadows: do we see shadows? Loads of people don't. A camera will notice a shadow, but how many people have got a shadow in front of them when they take a picture and don't notice it, and then they see it in the photograph because the photograph will catch the shadow.
I was always with my dad and my brother. I know that if you can't keep up, you get left behind. So you learn to pull your weight. You learn to not be the one that's causing the problems, whether we're camping, where I'd better be the one to help put up the tent.
You do sequels because they are tent poles. They open well, and they hold the tent up. But in between, you make a movie you respect.
It's like running away to join the circus, everyone wants to do it when they're young but then you grow up and get a proper job. But somebody's got to do it or you wouldn't have the circus.
So far as the colleges go, the side-shows have swallowed up the circus, and we don't know what is going on in the main tent: and I don't want to continue as ringmaster under those conditions.
As you peel it back, in the heart of nothing, that is love. You are what you are seeking. Life is a set up so that each of us can actually see in ourselves the truth for ourselves. What gets taken away are all the exterior means we thought we wanted love to come to us. You have the choice to notice the perfect set up to see love is exactly what you are.
He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.