A Quote by Steven Wright
My house is made out of balsa wood, so when I want to scare the neighborhood kids I lift it over my head and tell them to get out of my yard or I'll throw it at them.
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Cram your head with characters and stories. Abuse your library privileges. Never stop looking at the world, and never stop reading to find out what sense other people have made of it. If people give you a hard time and tell you to get your nose out of a book, tell them you're working. Tell them it's research. Tell them to pipe down and leave you alone.
The way that you empower the poor to be able to live in those neighborhoods is not to just move them and give them something, give them the better neighborhood. You have policies that allow them to get out of the neighborhood permanently and afford that neighborhood through hard work.
You know those things that you throw the twigs into and it spits them out? That's what I do. The branches are like life, and I throw them into my head and some of it comes out as humor.
I like pushing the envelope. I like pushing myself and the audience, whether it's a TV show or live. I like to throw people over the edge of the cliff and scare the wits out of them, but then pull them back and make them safe.
My parents both made it to ninth grade and then dropped out, so I just want to have that higher education so when I have kids one day I'll be able to tell them and I'll be a better role model for them.
I got killed against Morimoto. I brought out white plates with food; I thought that was really nice. He brings out sculptures of ice, Noah's ark made of balsa wood that he carved at his restaurant downstairs, smoking trees ... When I saw that, I looked at my sous chef and I'm like, we're toast.
I want to be able to help out and give back to people and give them something nice to be able to train at and get a chance to get a head start on things. And just continue to push out my brother's story while I reach out to kids.
Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
What I really want to do is, first of all, get my music out to the world. And then I would really just like to reach other kids all over the world and tell them to believe in themselves and prove to people that you can do anything you want.
What do you do when it seems as if people want to stay in their pain. They have a story to tell and they tell you every chance they get. Well, believe it or not, they may like where they are. Our job is to leave them there. You can point the way out of pain, but you cannot force them to get out. You can support the move beyond their limitations, but you cannot make the move for them.
Brick walls are there for reason. And once you get over them-- even if someone has practically had to throw you over-- it can be helpful to others to tell them how you did it.
And besides, I'm so in Dutch with my neighbors here that I thought that was better than getting them all upset with what might be a fake bomb scare where they'd have to clear out the whole neighborhood.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
In the old days, if a neighbors apples fell into your yard, you worked it out over the back fence or picked them up and made pies. Today, you sue.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Americans have a hard time writing moms. I'll get a script and everything's really great and well-drawn, but the mom is like stock footage, they go and get that out. They plug it in, this idea of "mother." You could lift moms out of any script, no matter what the culture, what the neighborhood, what the economic status, and you could switch them around, and they'd be the same person. I think it's because most people don't really have a human idea, a specific life that they attach to who their mother was. Their mother was there for them, so it either gets deified, or the opposite.
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