A Quote by Steven Wright

It's a small world, but I wouldn't want to have to paint it. — © Steven Wright
It's a small world, but I wouldn't want to have to paint it.
No small dabs of colour - you want plenty of paint to paint with.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
Words are small shapes in the gorgeous chaos of the world. ... they bring the world into focus, they corral ideas, they hone thoughts, they paint watercolors of perception.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
My sin as a painter is that I just want to paint anything I want to paint - and repaint.
We paint small town America with a really broad stroke. There's a lot more nuance to these towns than, I think, the world knows.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.
The way I paint, the scale of the information in the images which I want to paint demand space.
I can't paint the way they want me to paint and they know that too.
Painters love paint itself: so much that they spend years trying to get paint to behave the way they want it to.
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