A Quote by Steven Wright

In Vegas, I got into a long argument with the man at the roulette wheel over what I considered to be an odd number. — © Steven Wright
In Vegas, I got into a long argument with the man at the roulette wheel over what I considered to be an odd number.
I don't play roulette, but it's funny: whenever somebody I know is going to Vegas, I'm like, 'Put it on black.'
Las Vegas is a major family destination. Nevada casinos have become American family values now. It's considered just fine to go into one of these windowless scary gambling-malls, drink yourself silly, lose your ass at roulette, and then go ogle showgirls with breast implants. Republicans do this now. Working-class folks do it in polyester stretch pants. It's normal.
It's like a crapshoot in Las Vegas, except in Las Vegas the odds are with the house. As for the market, the odds are with you, because on average over the long run, the market has paid off.
Wall Street wants to keep its schemes too complicated to understand so that the roulette wheel can keep turning.
Before representing Nevada in Congress, I worked in Las Vegas as a computer programmer and systems analyst in what's been long considered a male-dominated industry. It wasn't easy.
Yeah, Vegas is the number one place to go. Vegas is Sin City. It really gives you a feeling of looseness and anything can go.
I compete with the 'Welcome To Las Vegas' sign for the number one non-gaming tourist attraction in Las Vegas. I get more visitors than the Hoover Dam.
It happens the world over - we love ourselves more than we do the one we say we love. We all want to be Number One, we've got to be Number One or nothing! We can't see that we could make ourselves loved and needed in the Number Two, or Three, or Four spot. No sir, we've got to be Number One, and if we can't make it, we'll rip and tear at the loved one till we've ruined every smidgin of love that was ever there.
She was a woman attempting to make some sense of, and get some satisfaction from, a life that seemed to have no more logic than a roulette wheel.
Like a bicycle, like a wheel that, once rolling, is stable only so long as it keeps moving but falls when its momentum stops, so the game between a man and woman, once begun, can exist only so long as it progresses. If the forward movement today is no more than it was yesterday, the game is over.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
I examined my Liberalism and found it like an addiction to roulette. Here, though the odds are plain, and the certainty of loss apparent to anyone with a knowledge of arithmetic, the addict, failing time and again, is convinced he yet is graced with the power to contravene natural laws. The roulette addict, when he invariably comes to grief, does not examine either the nature of roulette, or of his delusion, but retires to develop a new system, and to scheme for more funds.
I did Nancy Sinatra in Vegas a number of times, and then the Sinatra family, when we did Frankie and the Muppets. Big show in Vegas.
We know that there is an infinite, and we know not its nature. As we know it to be false that numbers are finite, it is therefore true that there is a numerical infinity. But we know not of what kind; it is untrue that it is even, untrue that it is odd; for the addition of a unit does not change its nature; yet it is a number, and every number is odd or even (this certainly holds of every finite number). Thus we may quite well know that there is a God without knowing what He is.
You know, I got kids. I got sons, and I try to tell them, 'Look, man, when you in the car and you get pulled over, hands on the steering wheel. 'Yes, sir. No sir.' Your job is to either wind up in jail, so I can come get you, or be able to pull off. That's your job.'
I just do a random roulette wheel version of what I've recorded or sometimes tunes I haven't recorded. It's a collection of whatever happens, happens.
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