A Quote by Steven Wright

Ever notice how irons have a setting for permanent press? I don't get it. — © Steven Wright
Ever notice how irons have a setting for permanent press? I don't get it.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
Did you ever notice how many survivors they have? Did you ever notice that? Everybody - every time you turn around, 15,000 survivors meet here, 400 survivors convention there. I mean, did you ever notice? Nazis sure were inefficient, weren't they? Boy, boy, boy! ...You almost have no survivors that ever say they saw a gas chamber or saw the workings of a gas chamber...they'll say these preposterous stories that anybody can check out to be a lie, an absolute lie.
Y'ever notice how you never seem to get laid on Thanksgiving? I think it's because all the coats are on the bed.
You ever notice how when you get a new tattoo, it's like a magnet? People are drawn to it, everybody wants to touch it?
Early in my career, my 3-, 5- and 9-irons performed differently than my other irons. But I adapted and made them work.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice there is little we can do to change until we notice how failing to notice shapes our thoughts and deeds.
The moral sense is always supported by the permanent interest of the parties. Else, I know not how, in our world, any good would ever get done.
We notice the person who is for ever bowing and fussily servile, and perhaps say, How humble he is! But the truly humble person escapes notice: the world does not know him.
I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
I used to get great press. I get the worst press. I get such dishonest reporting with the media. I've never had anything like it before. It happened during the primaries, and I said, you know, when I won, I said, "Well the one thing good is now I'll get good press." And it got worse. So that was one thing that a little bit of a surprise to me. I thought the press would become better, and it actually, in my opinion, got more nasty.
I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as when he was set on staying still, like it aint the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn't act like he was proud of it, like he had made the river rise himself.
The press is the only profession protected in the Constitution because of how important the framers viewed the press. But in authoritarian regimes, they control the press.
We notice things that don't work. We don't notice things that do. We notice computers, we don't notice pennies. We notice e-book readers, we don't notice books.
Ever notice how seldom we lose control when frustrated by our boss, but how often we do when annoyed by friends or family?
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
In trans-border relations, there are no permanent friends or permanent enemies or even permanent borders. There are only permanent interests and everything should be done to secure these interests.
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