A Quote by Steven Yeun
It was so ridiculous. We were just sitting there, thinking about how ridiculous it was because we literally had stray hairs on us. The camera couldn't pick up all the details, but we had some crazy things. We had huge slabs of fat on us and bits of nails and hair. It was disgusting. But, there's also the beautiful parts of it.
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The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
I probably had the most fun ever in the ring with Christian. And it was because he could just pick stuff up out of thin air and make it something. Neither of us were these big high-fliers; none of us were power guys doing these big, crazy moves. But the finesse and the things were smooth with me and him.
I got makeup tests and hair tests for 'Versailles,' and the main thing they were obsessed with was that my hands were disgusting. I had three years of Irish dirt under my nails. I had to have manicures and everything.
I was absolutely floored as a lot of people are but also I was reunited with ideas that I actually had as a teenager and these are ideas that I had put away as I approached college years because they were ridiculous on the face of it and when you talk to someone about living forever, they just dismiss you out of hand.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.
My parents were very open about what kind of talent I had. They never pushed me to become an accountant because they knew that would be just absolutely ridiculous. So they were encouraging in what I am able to do with some success.
My husband and I had the opportunity to write some stuff for other people. We both tried it. I think it lasted about two weeks, and we both felt ridiculous. It just didn't work for us.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
Howard Zinn helped us desegregate Atlanta. That was moving because he took a lot of abuse for that. He and Staughton Lynd, a fellow professor who was also from the North, stood with us. They were certainly behind us. In fact, they often stood in front of us. This had a huge impact on me. But one of the reasons I was very careful about speaking about the relationship I had with him and Staughton was because, in a racist society, if you acknowledge a deep love for and a deep debt owed to white teachers, they tend to discredit your own parents and your own community.
My dad and my mom had to sacrifice so much, and had to teach us and show us the way of going about things, how to be humble, all those things. They helped us stay on track for what we wanted to do.
The s - t I put on Instagram, in a lot of ways, I'm making fun of what it actually is. Some of the things I put on there are absolutely ridiculous because parts of my life are absolutely ridiculous.
Not only was it nearly impossible to hear because of these huge rubber ears we had to wear, but we also had these huge furry hands which were absolutely useless, especially if you had to scratch yourself.
When I see this, you know, 'Crooked Hillary,' or I see the, 'Lock her up,' it's just ridiculous. It is ridiculous. But I just - you know - it is beneath the character of the kind of dialogue we should have. Because we got real serious problems to solve. And look, most of us stopped the name-calling thing about fifth grade.
I went through a very hairy period. I had a movie where I was going to play Walt Whitman that fell through. At the time, I had grown this huge beard and very long hair. But then, the movie got canceled, I had some other parts, and I currently have very short hair. So, when I look in the mirror, I don't know who I am exactly. It's interesting.
The crazy part, with all of the surgeries I had, I retained water from the IV fluids, and I gained 60 pounds. I was 247 pounds at my maximum. I couldn't even touch my face because my joints were swollen. I was so big, it was ridiculous - just insane.
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