A Quote by Stevie Ray Vaughan
If you hit the front end on the right-hand side you could turn that one on by itself and if you hit on the left-hand side you could turn it on and off. And in the middle it was like serious overdrive.
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When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
We had enough years in front of us to be serious and grown-up and respectable. Why rush it? But on the other hand we always complained when teachers and other adults treated us as kids. In fact there was nothing that annoyed me more. So it was a frustrating situation. What we needed was a two-sided badge that said 'Mature' on one side and 'Childish' on the other. Then at any moment we could turn it to whatever side we felt like being and the adults could treat us accordingly.
One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
I used to be a pretty good hit-and-run man when I played in the minors. I handled the bat well and could hit the ball to the right side of the infield. Nevertheless, I know that you often give the opposition an out on the hit-and-run play.
Mutt enjoyed traveling by car, but he was an unquiet passenger. He suffered from the delusion, common to dogs and small boys, that when he was looking out the right-hand side, he was probably missing something far more interesting on the left-hand side.
People are lazy, and nobody wants to turn their phone to the side. I know I have my phone locked, so if I have to turn something to the side, I have to turn that lock off.
So much of life is luck. One day you make a right turn and get hit by a car. Turn left and you meet the love of your life. I think I made the correct turn.
We began building this incredible new foundation in this restaurant, and that's what began giving me the left-hand side of tradition and the right-hand side, my new palate.
The classic one for me is one of my favorite images - left-versus-right political-spectrum image. I was trying to visualize the concepts on the political spectrum. I'm left-leaning, and I discovered as I was doing it that I had an impulse to make the left-hand side appear better than the right-hand side. That was manifesting in the way I was choosing certain words, framing certain ideas. I shared it with a few people, and they all said, "Oh my God, this is really biased." I hadn't seen it at all.
I typically will work on a lyric in a three-ring binder. On the right side, I'll write the lyric, and on the left side, I put in alternate things...and things that might be alternates or improvements. I'll turn the page and do it again. I'll turn the page and do it again, or incorporate the improvements. Eventually, I end up with some material, and often it needs to be ordered.
Anytime you hit a curve, or you hit on the side of the wall, you hit against the side of the sled. We're taking four to five, sometimes six or seven Gs on our body every time we go down the track. And then the crashing.
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.
I used to hear a lot that all I could do was hit a serve, I couldn't volley, I can't hit a backhand, I don't return well, and then people would turn round and tell me I'm underachieving.
Jumped In The Fo' Hit The Juice On Ma Ride
I Got Front Back, And Side To Side
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
It's the side-by-side culture of the Talmud I like so much. 'On the one hand' and 'on the other hand' is frustrating for people seeking absolute faith, but for me it gives religion an ambidextrous quality that suits my temperament.
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