A Quote by Stevie Ray Vaughan
I play as many different things - piano, sax and harp parts - as I can at once. Whatever I can fit, whenever I need to.
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I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I play the sax, piano, guitar, bass... I started as a kid with piano lessons.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
When you play with another piano player, it's just second nature to play the parts that need to be played.
The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.
I learned to play piano on my own and my parents thought "Oh it would be a good thing for you take piano lessons. That's the way you really need to learn to play the piano."
Now, I only play very occasionally, and in fact, more piano than clarinet or sax.
I did it all, singing, the harp, piano. But I was so shy, I'd wake up at six to practice piano because I didn't want anyone to hear me play. But then I'd do a big show in school where everyone would see me, and that was actually alright.
The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.
I can play anything - piano, drums, guitar, harp - I can even play a trumpet through another trumpet.
I do play a lot of instruments. I started with the harp when I was young and then sort of moved to guitar and piano.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
Until now in world's history, whenever we've had a dark age, its been temporary and local. And other parts of the world have been doing fine. And eventually, they help you get out of the dark age. We are now facing a possible dark age which is going to be world-wide and permanent! That's not fun. That's a different thing. But once we have established many worlds, we can do whatever we want as long as we do it one world at a time.
Some things need to be a song. Some things need to be a play. Some things need to be a painting. Some things need to be-though I'd never be a choreographer-some things might ought to be a dance [laughs]. I've found that exploring an idea in different ways, it gives you different opportunities.
For the piano and me it is always a blind date! I meet different pianos every single day. I can't take my piano with me like a bassist can take his instrument. So whenever I arrive I am a bit nervous to see what kind of piano is waiting for me.
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