A Quote by Stevie Ray Vaughan
I got a lot of paradoxes in my life. I guess I'm a real confused person, but there are some focused parts to my life now, and I'm slowly trying to put all the pieces back together.
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GOD made my life complete when I placed all the pieces before him. When I got my act together, he gave me a fresh start. Now I'm alert to GOD's ways; I don't take God for granted. Every day I review the ways he works; I try not to miss a trick. I feel put back together, and I'm watching my step. GOD rewrote the text of my life when I opened the book of my heart to his eyes.
Some things just can't be put back together. Some things can never be fixed. Two broken pieces can't make a lot of anything anymore. But at least he had the broken pieces.
My work life makes much less sense now than 20 years ago. It's Humpty-Dumpty-like in a way; I can't put the pieces back together.
Jesus wrecked my life, shattered it to pieces, and put it back together more beautifully.
(T)he world is broken up into pieces, and...it's up to everyone to help put it all back together. It's about recognizing the spark of life in everyone and everything, and gluing those shards back together.
Definitely haven't been doing writing. I'm so intimated by it now because I sort of put it to bed after I graduated, and I got so focused on acting. But it is something that I hope get brave enough - even if I just go back it for myself - it is something that is very close to my heart and I do hope that it's not something that is gone forever from my life. I guess that's just a choice; no one's going to that do for me, so I need to be the one to do it.
Purgatory basically means that God can put the pieces back together again. That He can cleanse us in such a way that we are able to be with Him and can stand there in the fullness of life. Purgatory strips off from one person what is unbearable and from another the inability to bear certain things, so that in each of them a pure heart is revealed, and we can see that we all belong together in one enormous symphony of being.
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
As I tried to put the pieces of my life and that of my children back together, I returned to my very public job, but continued to suffer in private.
I survived this torture which left me paralyzed for years. That's what that night was all about, mutilation, more than violence through sex. I really do feel as though I was psychologically mutilated that night and now I'm trying to put the pieces back together again. Through love, not hatred. And through my music. My strength has been to open again, to life, and my victory is the fact that, despite it all, I kept alive my vulnerability.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
I think back to when I was in high school, to 17-year old Daria, who was dating guys and thought that that was the only way of life. I was very confused, and it was definitely manifesting itself in other parts of my life that were unhealthy.
I love you, Olivia," he whispered, and my heart ached as if it would break in half. "You think we'll die if we stay together, but I've been dying slowly for the last six years. I'm taking my life back, Liv. Our life together. And this time, I'm not going to let you go.
For decades, we've been trying to cook up the building blocks of life, in the lab, and recreate the origins of it all, but the parts didn't seem to fit together, until now.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
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