A Quote by Stevie Ray Vaughan
The Marshall is supposed to be 200 watts, but mine's never worked right; it peaks out at 80.
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'Twin Peaks' is so phenomenal. And it worked because they struck the right tone: they brought intelligence to it, and the mystery itself was compelling.
I ushered at the Shubert in New Haven during graduate school when plays en route to Broadway still went out of town to try out. I worked backstage at summer stock doing jobs from garbage man to strapping on Herbert Marshall's wooden leg to fixing Gloria Swanson's broken plumbing in her dressing room with her yelling at me as I worked the plunger.
In a sense, 'Twin Peaks' never really went away. They've got a 'Twin Peaks' convention up in Washington every year, and I'm pretty much recognized on a fairly regular basis from 'Twin Peaks,' so I feel like it never really got too far away.
I've worked on jobs where there are almost 200 people on set... you always make an effort to have a relationship but you can't really when there's 200.
I got Twin Peaks, and the part was basically written for me, which was a really big shock. I think everything really changed with the right teacher coming together, but before that I worked with Sondra Seacat; she's amazing and very spiritual, but I hadn't worked with her on specific roles. I just was in classes with her.
I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.
That's what's nice about playing festivals, too. You're on this huge, enormous stage and you've got 200,000 watts of power blowing your guitars all over the place. It sounds good.
You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
In 2006, the Blockbuster board got together and said, ‘Do you know anyone using Netflix.’ …Look how that worked out. That is what happens when you put ten 80-year-old guys in a room…Be on record. Be on the right side of history. You don’t want to be the person that supported the Blockbuster decision.
I turned my air conditioner the other way around and it got cold out. The weatherman said 'I don't understand it. It was supposed to be 80 degrees out today.' I said, oops
As good as 'Twin Peaks' was, and I mean, it's a superb work that's way ahead of its time, and we've never caught up, and we never will... I mean, we will never catch up to 'Twin Peaks.'
My mom convinced me to audition for 'The X Factor.' And I just said, 'O.K., let me see what it's about. $5 million? Might as well try.' I tried out, and it worked out. I got through top seven out of 200,000, so I'm proud.
I used Jimmy to give me what I needed to keep going and to know that I was on the right path with it. I thought I saw Jimmy's soul all the time we worked. He never covered his soul and I never covered mine. We saw into each other's souls, very definitely.
What they frequently want to do with a movie is, they want to cut out the valleys and just show the peaks. And valleys are important; the valleys make the peaks stand out.
The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.
Alan Watts, the Buddhist scholar, proposed the existence of a mental faculty he called forgettory, which is the flip side of memory. There are times, Watts maintained, when we need to forget things, to let them slip away into the unremembered past.
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