A Quote by Stevie Ray Vaughan

Lots of times I'll play lead and rhythm together. — © Stevie Ray Vaughan
Lots of times I'll play lead and rhythm together.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
Most beginners want to learn lead because they think it's cool .. consequently, they never really develop good rhythm skills .. since most of a rock guitarists time is spent playing rhythm, it's important to learn to do it well .. learning lead should come after you can play solid backup and have the sound of the chords in your head
I've never been a big soloist; I just put in what needs to be there. I'm more of a rhythm player who plays lead - or tries to play lead.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. As my skill and knowledge of the instrument grew, I found lead started to come naturally. Sometimes I play guitar like a frustrated drummer. Ha ha!
We've had lots of breaks, especially over the last 10 years, so to still be getting together and to be able to get on stage and play together is a big deal.
My experience over my five years at Wisconsin and my one year in the NFL was that there were times where I couldn't play the game safely. There are positive measures we can take... but on a lead play, on a power play, there's violence.
From the get-go, I was wise enough to say, 'Well, I'm playing rhythm 'cause Angus could really soar with the leads.' I used to mess around a little bit with lead at the time but not much; Angus, he was just so much better; he just went for it, and it was brilliant. My place was sitting with rhythm, and I love rhythm. I've always loved it.
Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
'My Friends Over You' has two guitars, but if you listen to us live, it's the same... I know how to hit a rhythm note and play lead at the same time.
I don't want to be a lead player. I don't want to shred and play fast licks. I just want to be the best rhythm section ever.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're doing a verse play by Shakespeare or a musical.
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