A Quote by Stevie Ray Vaughan

The way I play, I go through a set in a year. So I put '58 Gibson Jumbo Bass frets on all my necks. — © Stevie Ray Vaughan
The way I play, I go through a set in a year. So I put '58 Gibson Jumbo Bass frets on all my necks.
[2010] was a rough year. Between my divorce and the other things I went through, a lot happened. It's hard for anyone to go through that in public. But when you're a celebrity and under a microscope, it's 58 million times harder. I grew an even thicker skin after that hard year.
If you're going to play bass, then play bass how you play bass. You can learn technique and theory, but we want to hear what you have to offer.
I think it's healthy to say, 'I'm 58 and, do you know what, this is what a 58-year-old woman looks like.'
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar.
I took the frets out of my bass after I was getting into jazz a lot and I wanted to have that upright sound.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
I can't really sing and play live, because I can't play bass efficiently and sing at the same time. If I concentrated on the vocals, I'd mess up the bass, and if I concentrated on the bass, I'd forget the lines.
There aren't any negative thoughts about my time in Detroit; I just didn't play. Sometimes you have to go through that at different stages. I went through it during a tough period, my first year in the league, but it was a good year for me off the court.
Seahawks beat Cardinals, 58-0. If Patriots beat Texans, 58-0, it will be first time in NFL history there were two 58-0 games in same week.
I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
The bass and drums are the engine, and the key to good bass playing is it's not what you play, it's what you DON'T play that counts. You leave the spaces, they're more important than anything.
I'd love to play bass with Parliament Funkadelic, but I can't play bass, so I don't think that's going to happen.
Not everybody gets to play their first year or second year. Some people have to go through adversity.
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