A Quote by Stewart Udall

The real story of the settlement of the West was work, not conquest — © Stewart Udall
The real story of the settlement of the West was work, not conquest
I've often made critical comments about settlement expansion in the occupied West Bank and in east Jerusalem, and my position hasn't changed. At the same time, it's equally important to me that the two sides, both Israel and the Palestinians, work towards a durable peace settlement: that's to say a viable two-state solution.
Why don't they go ahead and change the name of the White House to the West House. They want to do away with the heritage of White Settlement and destroy the history of White Settlement.
The Council of the Union of Democratic Control re-affirms its unshaken conviction that a lasting settlement cannot be secured by a peace based upon the right of conquest and followed by commercial war, but only by a peace which gives just consideration to the claims of nationality, and which lays the foundation of a real European partnership.
The Russian ambassador at the United Nations did make some proposals for a political settlement in which Bashar Assad would be slowly eased out. The West dismissed it immediately, and we don't know if it was real, because it didn't come from the Kremlin, and it was informal. But the point is every such proposal is immediately scotched. And you just don't know if they're real.
There are several sources for my appreciation of pastors and the way they are described in this book. One of them is reading history and realizing that they had a profound creative impact on the Middle West and the settlement of the Middle West.
The fundamental principle [of settlement work] remains: that people shall take up their residence in industrial communities, giving what they may have of public spirit, and partaking of the life about them; preserving their identity as individuals and endeavoring to keep the settlement free from the institutional form of philanthropic work. ... the relationship is reciprocal.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.
Right now, you've got three days between a trade and a settlement, with hundreds of millions in settlement risk tied up in that time. That all goes away in a blockchain system because you've reunited the trade with the settlement. They're not two separate processes.
The dynamism and freedom that characterizes the West is the product of Christianity's reforming itself and moving forward culturally. The ascendancy of the West is the story of the difference that Christianity makes, and it's a story we can't let our culture forget.
We know the surrealist solution: concrete irrationality, objective risk. Poetry is the conquest, the only possible conquest, of the 'supreme position', 'a certain position of the mind from where life and death, the real and the imaginary, the past and the future... cease to be perceived in a contradictory sense.'
The resolution has made a real threat of war go away and opens the way for further work in the interests of a political- diplomatic settlement of the situation around Iraq.
There's a double meaning in the film The Conquest. First, the conquest of power at the UMP party and how Sarkozy had to fight his colleagues inside the party so that it was him running for President. He wins the political conquest, but he loses the feminine conquest in that his wife leaves him. It's hard for a President to be single - that's never happened.
The story of the African-American people is the story of the settlement and growth of America itself, a universal tale that all people should experience.
This decree is very serious and we will not allow it to pass unopposed. (on Israel offers 10-month West Bank settlement freeze)
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.
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