A Quote by Stieg Larsson

Some of the writers I've praised are Sara Paretsky, Val McDermid, Elisabeth George and Minette Walters. Strangely enough, almost all are women. — © Stieg Larsson
Some of the writers I've praised are Sara Paretsky, Val McDermid, Elisabeth George and Minette Walters. Strangely enough, almost all are women.
I was obsessed with Val McDermid's Tony Hill and Carol Jordan books, delightfully twisted stuff.
We have people say, 'There's not enough women writers.' I have a writers room that is almost nothing but women over at 'Grey's Anatomy.'
To understand the current state of mind of both Sara Paretsky and her private detective alter ego, one must first roll back the clock to 1982, when Victoria Iphegenia Warshawski took her first investigative bow in 'Indemnity Only.'
When I re-read the Odyssey, it felt like I was reading PD James or Minette Walters - you feel that you are sharing in something that hundreds of millions of people have read with love, and I think that this is worth holding onto. It is not a matter of canonical texts or elitism, which the universities are trying to make us wary about. It is about shared language and metaphor and experience and imagery and that is all good.
I do gravitate toward 19th century writers, and I never mind being compared with some of the most memorable writers from that era. I mean, George Eliot is my absolute heroine.
The world has enough women who are tough; we need women who are tender. There are enough women who are coarse; we need women who are kind. There are enough women who are rude; we need women who are refined. We have enough women of fame and fortune; we need more women of faith. We have enough greed; we need more goodness. We have enough vanity; we need more virtue. We have enough popularity; we need more purity.
Even after four years in office, George W. Bush's record on women doesn't leap out at you. It's composed almost entirely of little things, small enough to fly well under the media's radar screen, so few of us have any sense of their cumulative impact.
Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women.
You can be known as Val or Babycakes.” His gaze darkened. “My name is Valerius and I will not answer to Val.” She shrugged. “Fine then, Babycakes, have it your way.
Almost anything that can be praised or advocated has been put to some disgusting use. There is no principle, however immaculate, that has not had its compromising manipulator.
I always believed that women have rights and that there are some women that are intelligent enough to claim those rights. There are some others that are stupid enough not to.
I still love 'All Right Now,' strangely enough. But then that's probably because I didn't play it for some twenty years.
If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
The word barren tells you everything you need to know...The word spinster tells you everything you need to know about our attitude of women who choose not to marry... Imagine if you saw George Clooney on the cover of a magazine every week with, is George broody? Is George going to adopt a baby? When is George going to have another kid? It would just seem weird. We'd seem demented, yet it's totally valid for women.
It's true that some of us become better writers by living long enough. But this is also how we become worse writers. The trick is to die in between.
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