A Quote by Stieg Larsson
I have tried to create main characters who are drastically different from the types who generally appear in crime novels. Mikael Blomkvist, for instance, doesn't have ulcers or booze problems or an anxiety complex. He doesn't listen to operas, nor does he have an oddball hobby such as making model airplanes.
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In many respects I have gone out of my way to avoid the usual approach adopted in crime novels. I have used some techniques that are normally outlawed - the presentation of Mikael Blomkvist, for instance, is based exclusively on the personal case study made by Lisbeth Salander.
People who know and read comics know that there's a huge diversity amongst the types of stories. Nobody ever goes 'how many more of these movies based on novels are there going to be?!'. People laugh at that question and they go novels, there are all different types of novels. But there are all different types of comic books, they just happen to have drawings on the cover!
Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
Different nations have different ways of forming their national identity. In America, for instance, the model was one of homogeneity breaking from different backgrounds, and the whole effort was to blend them all together like a wonderful making of a milkshake!
Airplanes were invented by natural selection. Now you can say that intelligent design designs our airplanes of today, but there was no intelligent design really designing those early airplanes. There were probably at least 30,000 different things tried, and when they crash and kill the pilot, don't try that again.
There is nothing - no program, no hobby, no vice, no crime - that does not 'create jobs'. Tsunamis, computer viruses and shooting convenience store clerks all 'create jobs'. So that claim misses the plot; it applies to all so is an argument in favor of none. Instead of an argument on the merits, it is an admission that one has no such arguments.
A lot of the time, a moral compass is all that separates a hero from being a villain; otherwise, the two are very much the same. Both are generally the richest and most complex characters, and they get to have all the fun. I guess it's those types of roles that I ultimately gravitate towards.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
I just did what any writer does, tried to listen to the characters, whether they're 18 or 80.
Violence is inevitable in crime novels, but there are many different ways to tell a story. I use my characters' reactions to illustrate the worst moments rather than let readers witness them at first hand.
I liked 35 and in both my novels that is the age of the lead characters. I tried making them my age but they just seemed to keep moaning about stuff.
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
I'm not a role model, nor have I ever tried to be a role model. The only thing about me as a role model is I've managed to stay here and be working and survive. For 40 years.
"Big Bang Theory" focuses on main characters who in other shows would only be auxiliary players hewing to stereotype: The gawky nerd who lives next door and says oddball things.
We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented.
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