I think the labyrinth is an interesting metaphor for our lives as musicians. We're always being drawn toward the center of it because that's where the mystery is. What is music? It's a journey.
Country music's always had the best musicians in any format of music, and I always gravitated toward that, stuff that was musically interesting.
We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.
I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been in studios so often, I know the whole process. The mystery's gone from it. I think it's important to keep mystery into our lives. There's a longing connected with it.
Mankind is drawn to the heavens for the same reason we were once drawn into unknown lands and across the open sea. We choose to explore space because doing so improves our lives, and lifts our national spirit. So let us continue the journey.
The life of "peace" is both an inner journey toward a disarmed heart and a public journey toward a disarmed world. This difficult but beautiful journey gives infinite meaning and fulfillment to life itself because our lives become a gift for the whole human race. With peace as the beginning, middle, and end of life, life makes sense.
It's interesting because neither of my parents play instruments. They both love music, but neither of them are musicians. Somehow, I was drawn to it.
Those who direct the maximum force of their desires toward the center, toward true being, toward perfection, seem quieter than the passionate souls because the flame of their fervor cannot always be seen.
I've always loved color because it's a little bit like music. I love that it seems to be both physical and ephemeral and engages us as a metaphor for our feeling lives.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I did study religion at Northwestern, and it was a very interesting time for me because I think it was the beginning of my personal journey in this understanding of the purpose that religion serves in our culture and in our individual lives. It serves to ground us and be our moral compass.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
My sister's a musician. Everyone else in our family, it's either academics or artists of one kind or another. And those are the people that I think I like to hang out with, too. I think, you know, they're always interesting; they lead interesting lives, and I think they're important for everyone to read about because everyone is an artist in a way.
I think it's always been especially hard for black people to let go of musicians who do heinous things because music is such an integral part of our existence.
We have such little mystery in our lives generally because of how we live now. I mean, of course, mystery is all around us, but the way we live our lives now, we're too busy to be bothered with it.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
Jazz is the music of the body. The breath comes through brass. It is the body's breath, and the strings' wails and moans are echoes of the body's music. It is the body's vibrations which ripple from the fingers. And the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life. We give to others only peripheral improvisations.