A Quote by Sting

I write the music, produce it and the band plays within the parameters that I set. — © Sting
I write the music, produce it and the band plays within the parameters that I set.
I create a guise or a band that I can operate within, and within each one of those bands, I've got an M.O. or a set of rules and parameters I can work within.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
I'm certainly treated differently to the boys in the band. People make assumptions about what I do and don't do within our projects. We produce our music together and I direct and edit the music videos.
Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".
My dad plays guitar in the church band, so it's like music as a service. He plays at old-people homes, so that's like music as a gift.
If you don't question you're stuck within a pre-existing parameters of knowledge. Questions are what take you outside of those parameters.
But if you want to be in a band and write music, then you should just be in a band and write music.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
One of the reasons we survive as a band is that we are seen as a band of today. We don't want to be seen as a band that tours and plays old songs. We feel that we are making the best music of our careers.
Shareholders have the right and obligation to set the parameters of corporate behavior within which management pursues profit.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
We, Autolux band, write in very different ways; sometimes we play with the band and write music first and then form vocal parts and lyrics. Or I'll find some music, or a guitar part or something, and I'll just write an entire sketch of an idea from that. So I think things have always been that way, it's just that this time around we had some more obstacles off and on all the time.
When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.
I do write. I actually do want to start my music as well. My sister and I are starting a band. I've been playing a guitar for nine years, and she plays piano, and we sing together. We're going to start up something soon. I mostly am writing songs right now actually, but I would love to write a script someday.
The limitations and parameters of a band is something I've always enjoyed: so many creative people coming together and raising the music to places we'd never get on our own.
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