A Quote by Stjepan Hauser

We are so excited to be touring and showing audiences the versatility of the cello. — © Stjepan Hauser
We are so excited to be touring and showing audiences the versatility of the cello.
I like showing versatility.
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
Me jumping on a song with Ariana Grande is just showing versatility, you know what I'm saying?
I'm big on showing people versatility. I'm constantly trying to push myself to break barriers and the idea that we have to stay in one lane.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
All the things people hate about touring, I'm excited for, because I've never done it before. I'm excited to see places I've never seen and be in the van and see if I get carsick while reading.
Interchangeability and versatility unlocks so many styles of play for your team. It's not the end all be all, but it helps you handle adversity so much better. It presents so many different matchup problems for the other team because they have to worry about so many different things. You can have long and athletic guys but if they're dummies then you're in trouble. What the Warriors have is amazing versatility, but also versatility in their basketball IQ.
I played tennis. My older brother, Joseph, was a cello player, and I played the cello, but he was better than me at the cello, and he was also a better tennis player than me, so I was always like, 'I wish there was something that only I did!'
People tend to eat through the cello. They tend to take out the things that make it beautifully cello-y sometimes.
People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
Does it not appear to you versatility is the true and rare characteristic of that rare thing called genius-versatility and playfulness? In my mind they are both essential.
There are a lot of ways to be expressive in life, but I wasn't good at some of them. Music, for instance. I was a distinct failure with the cello. Eventually, my parents sold the cello and bought a vacuum cleaner. The sound in our home improved.
It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello.
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