A Quote by Stone Gossard
A significant event for me was learning Hank Williams, reconnecting with his music's simplicity, which inspired me to inhabit the same territory. It's different, because I grew up on Led Zeppelin, The Stooges and punk, so in that sense I'm mutating country and folk more than a few degrees.
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My favorite bands are Hank Williams Jr. and Led Zeppelin. When it's rock, it's '70s rock, and when it's country, it's '70s country. For me, it's the grit and dirt of music that I love so much.
I did not want to go onstage and play Led Zeppelin songs; there has to be more than that. I wanted to create a complete experience of what Led Zeppelin means to me, growing up around them and being part of it all my life.
Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.
I don't think you'd call me a traditionalist. But you can say I have an old soul, because I grew up listening to Conway Twitty and Hank Williams.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
Everything about Hank Williams interests me. His music, his life. His death. His impact.
My country stuff, it might sound like Hank Williams - that's just the way it is. But I'd rather sound like Hank Williams than Trace Atkins.
I grew up listening to Hank Williams and Johnny Cash, so arriving in Nashville in the '60s was really exciting for me.
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
Here's where it goes with Led Zeppelin. It didn't matter what was going on around us, because the character of Led Zeppelin's music was so strong.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.
I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
If you listen to all of my records, they all have a little part of me. So there's a part of me that's very bluegrass-y, and incredibly country, because I grew up on a farm in Missouri - I grew up singing country music. I started in bluegrass - but then there's also so many other sides of me - really pop.
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