A Quote by Stone Gossard
I think ultimately, bringing more nature back into the city is a way to deal with urban sprawl and things like that. If the cities feel a little more natural, people like to live there more rather than moving out and dividing up another piece of land that shouldn't be touched.
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I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.
The disadvantages of a decentralized, spread out urban area are tremendous, and the environmental damage of urban sprawl cannot be ignored. As a large city, Tokyo must be used more efficiently and the population density increased.
I think ultimately, people are selfish in that department [blues], in a good way - the reason we're attracted to art is because it somehow reflects us. And I think, ultimately, we're a tribal people by nature. We're not individualistic. We almost like to hear that there's other people in a worse state than us. Sometimes even more than we like hearing there are people in better states than us.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
Successful people are usually more lively than those who are unsuccessful. The quickening of the spirit they feel comes out of their creativity, and success detaches them from the more rigid outlook on life - it puts them in the flow. So the shakers and movers, by their very nature, are moving faster, taking more risks, and investing more in the world than their less active counterparts.
Rather than becoming more relaxed, you start pulling down the shades and locking the door. When you do go out, you find the experience more and more unsettling and disagreeable. You become touchier, more fearful, more irritable than ever. The more you try to get it your way, the less you feel at home.
The more you densify a city, the more congestion will increase, however technology changes... cities so packed that they will no longer function... vertical sprawl.
As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.
The day Caleb touched my hand and I saw all those things, I was excited. Yes, a little freaked but excited more. I felt like...everything I ever needed was right there. I still feel like that. It's not something you can just turn off and I wouldn't want to. I want him more than I need him.
I feel like soccer brings another dynamic to the city, it makes it more eclectic... I feel like it opens doors for people who grew up playing soccer here their whole life. We've got some rings on the way, trophies on the way, and we're gonna win, and we're gonna stand behind Atlanta United just like we stand behind everything else out of Atlanta.
I feel like I veer more away from technology than toward it. I'm a little scared of the direction we're going, to be honest. It feels like a sci-fi novel from the '50s, the way we can control everything and the solitude we each have in our own little bubbles, and yet we feel like we have social interactions. We're moving in a weird direction, at least.
If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.
The more invested I am in my own ideas about reality, the more those experiences will feel like victimizations rather than the ups and downs of relating. Actually, I believe that the less I conceptualize things that way, the more likely it is that people will want to stay by me, because they will not feel burdened, consciously or unconsciously, by my projections, judgments, entitlements, or unrealistic expectations.
How much better if life were more like books, if life lied a little more, and gave up its stubborn and boring adherence to the way things can be, and thought a little more imaginatively about the way things might be.
I think as you grow up and you see things which are around you and you ask questions and you hear the answers, your situation becomes more and more of a puzzle. Now, why is it like this, why are things like this and since writing is one way in which one can ask this questions and try to find these answers, it seems to me a very natural thing to do, especially as it meant stories which I always found moving, almost unbearably necessary.
At the very simplest, I think as Van Gogh said and St Francis would have said, we must find nature. Just to be in the presence of nature your feelings and 'little seedlings' start to awake. So if we disassociate ourselves from God we cut nature out, too. More and more we turn nature into a commodity, into eco-tourism. But we must integrate it into the way people live every day.
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