A Quote by Storm Jameson
... the whole of society in Washington is to some degree political. It is like no other capital city known to me, in that political thinking, the whole business, technical and personal, of politics, is not diluted by an equal interest in art, industry, amusement, anything you like. I don't meant that these are non-existent in Washington -- only that they are subdued to the ruling passion.
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Washington is politics! Somehow if people have political objectives, then those objectives are automatically disqualified? If that's the case, the Democrats have no business being legitimized about anything because everything they do is political.
But 'This Town' is official Washington. It's political Washington. It's not the Washington that clogs New York Avenue. It's not the Washington that lives in Gaithersburg. It's not the Washington that accounts for most of the population. 'This Town' refers to the people who think they run your country.
... Washington was not only an important capital. It was a city of fear. Below that glittering and delightful surface there is another story, that of underpaid Government clerks, men and women holding desperately to work that some political pull may at any moment take from them. A city of men in office and clutching that office, and a city of struggle which the country never suspects.
When I came to Washington, I was troubled to observe so many similarities between the behaviors of drug-addicted patients and my political colleagues. In Washington power is like morphine.
In Washington, the public and the private intertwine in such a way that they can't be easily separated. This is the city where the personal and the political are most closely linked.
I think it's funny that nobody wants to be liked by Washington. All the politicians go, 'I don't like Washington. They don't like me.' I always find it funny that people are trying to distance themselves from Washington as much as they can, even though they're all in Washington.
People think that Celera's trying to patent the whole human genome because it's been used as - I guess people in Washington learn how to do political attacks, and so it gets used as a political weapon, not as a factual one.
I'm really not a partisan political person. I remember when I was in Washington they kept trying to get me to say whether I was a Republican or a Democrat. I just said, my politics are children. That's all I know anything about.
[Washington] is the political capital. It's essentially a big office.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
For me, what is political is very personal. Politics are not this abstract idea. Laws are the rules that dictate how we live our lives. What we eat is political. How we dress is political. Where we live is political. All of these things are influenced by political decision-making, and it's important to be part of the process.
Using the word ‘political’ in the widest possible sense. Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after. Once again, no book is genuinely free from political bias. The opinion that art should have nothing to do with politics is itself a political attitude.
Rome, like Washington, is small enough, quiet enough, for strong personal intimacies; Rome, like Washington, has its democratic court and its entourage of diplomatic circle; Rome, like Washington, gives you plenty of time and plenty of sunlight. In New York we have annihilated both.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
The whole notion of an embassy is like 'The Other.' That's what makes Washington interesting.
Why do we fully tax some kinds of income from capital, like interest and dividends; partially tax other kinds like capital gains; defer tax on other kinds, like IRAs; and impose no tax at all on still other types of capital income, like interest on municipal bonds? This simply is not rational. These distinctions don't have any inherent logic.
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